SUPERMARKET IN CALIFORNIA – Alan Ginsberg

Allen Ginsberg, born in Newark, N.J., June 3, 1926, is an American poet and leading apostle of the beat generation.

Supermarket In California

What thoughts I have of you tonight, Walt Whitman, for I
walked down the streets under the trees with a
headache self-conscious looking at the full moon.
In my hungry fatigue, and shopping for images, I went
into the neon fruit supermarket, dreaming of your
enumerations!
What peaches and what penumbras! Whole families
shopping at night! Aisles full of husbands! Wives in the
avocados, babies in the tomatoes! – and you, Garcia Lorca,
what were you doing down by the watermelons?

I saw you, Walt Whitman, childless, lonely old grubber,
poking among the meats in the refrigerator and eyeing
the grocery boys.
I heard you asking questions of each: Who killed the pork chops? What price bananas? Are you my Angel?
I wandered in and out of the brilliant stacks of cans
following you, and followed in my imagination by the store detective.
We strode down the open corridors together in our solitary
fancy tasting artichokes, possessing every frozen delicacy,
and never passing the cashier.

Where are we going, Walt Whitman? The doors close in an hour. Which way does your beard point tonight?
(I touch your book and dream of our odyssey in the supermarket and feel absurd.)
Will we walk all night through solitary streets?
The trees add shade to shade, lights out in the houses, we’ll both be lonely.

Will we stroll dreaming of the lost America of love past
blue automobiles in driveways, home to our silent cottage?
Ah, dear father, graybeard, lonely old courage-teacher,
what America did you have when Charon quit poling his ferry and you got out on a smoking bank and stood
watching the boat disappear on the black waters of Lethe?

Alan Ginsberg

THE DANCE OF THE CRANE

THE DANCE OF THE CRANE

 Long-necked and longer-legged

They shimmer among the reeds

Crazy-dancing in the breeze

High-stepping, wing-flapping

Bouncing high in springy leaps

Then  a pause

To step lightly here,

Tread gaily there

Duets in the sun

Heads bowed.

Balletically symmetric

It ends in a crescendo

That is electric

It is love they are dancing about

This joyful abundance

Knowing no bounds

Feeling no pain

You and I, my love

Shall soon learn

To dance like the crane

RED INDIANS SPEAK

We will not have the wagons which make a noise

In the hunting grounds of the buffalo.

If the palefaces come further into our lands

There will be the scalps of your brethren in the wigwams of the Cheyennes.

I have spoken.

Accursed be the race that has seized on our country

And made women of our warriors.

Our fathers from their tombs reproach us as slaves and cowards.

I hear them now in the wailing winds;

The spirits of the mighty dead complain.

Their tears drop from the wailing skies.

Let the white race perish.

They seize your land, they corrupt your women,

They trample on the ashes of your dead!

Back whence they came, upon a trail of blood, they must be driven.

FUCK THE DANES

FUCK THE DANES.

Fuck the Irish

Fuck the Danes

Fuck Copenhagen the most

In the place that pains;

All sheep are uneducated

Nothing to do with stupidity

All down to the genes, you see;

Unless the Danes now makes theirs go to school

Doing arithmetic and algebra

Sitting quietly on a three-legged stool.

The Danes came to Ireland once before

And Brian Boru showed the Viking hordes

The way to San Jose –

And Amarillo for good measure

Go! Take your fucking sheep with you

And don’t come back whatever the weather.

THE MANAGER SPEAKS

THE MANAGER SPEAKS
The best player on the planet.
When he plays on snow
He doesn’t leave any marks
He can’t walk on water – yet
Though when he farts there’s always sparks

I am like God
I never get ill
I am always right.
Football is a game of two halves
And is mostly a right load of shite

I wouldn’t say I’m the best there is
But I am in the top one
And that’s the only group to be in
If I walked on water
Some would say it’s because I can’t swim

Some believe football is a matter of life and death
But it is much more important than that
In football as in life
You won’t get far
If you don’t know where the goalposts are

The best way to relax
Is to drink pink champagne
Before the match and after
Then losing five nil
Won’t seem a total disaster.

THE MEANING OF LIFE

 

THE MEANING OF LIFE

At the forefront of knowledge

Is the edge of uncertainty

Where reality is really

Only a projection of information

At the rim of the universe.

There, black holes loiter with intent.

They seek to break the sacred laws of physics

Which, as everyone knows, state

That information cannot be destroyed.

This is the point of no return.

All the information that ever existed is here

And black holes are held at bay – for now

What is inside is not inside

And what is outside is not outside.

We are merely holographic projections

Rendered flesh at this event horizon.

Asimov, of course, knew this

Way back when computers

Were not ten-a-penny.

He knew the truth, or guessed

That the universe is one vast computer itself

And we are merely its slavish programmers.

Though not living out purposeless existences,

As some believe,

But proving that life does have some meaning:

We are the way for the universe to know itself

 

 

GRYPHON-ITIS

Here goes, a poem in 5 mins.

GRYPHONITIS

I saw the gryphon again today

Walking in a rather peculiar way

It was goose-stepping instead of high-stepping

Hugh Granting when it should be Johnny Depping

It looked me directly in the eye

As it it shuffled-shunted to get by

Whispering hoarsely what it had to say;

I bet you don’t see one like me every day!

67 – A COLLECTION OF 71 POEMS

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POETRY REVIEW                            67 by Tom O’Brien
The Co. Waterford-born playwright and novelist, Tom O’Brien, who had two plays produced in London last year, has brought out a curious collection of poetry, titled 67. A collection of 71 poems from Tin Hut Tales Publishers. Written over a period of twenty-five years he describes them as  being “of their time” and some were written “in the heat of the moment”, scribbled on bits and scraps of paper on buses and trains, or on the building sites where he worked. There is a surge of anger, a sideswipe at society, and at other times tender memories of a rural Ireland he had left behind, knowing there was no golden dawn, no rose-tinted place to return to. At other times, the poems are like graffiti and have an instant savagery and frank use of language. At other times, they are like notes to the 20 or so plays and books he has written. Why he is not better known in his home county is still a puzzle to me.
The opening poem Russian Roulette As A Cure For Depression catches your interest ” The first time I pressed the trigger/ I knew I was immortal”. He has graffiti poems, Bollocks To The Poll Tax and an ironic transitional poem from a rural community to heartless urban wastelands in Put Another Log On The TV. Then a poem like Don’t Make Your House In My Mind, hits the sad side with lines like: “You promised sex without frills” and “Shared lives going down the long slide”. A poem like Old Acquaintance reads like the synopsis to a play, but it is a poem you will return to and find another ‘home truth.’
The Clonmel and Fethard writer Joe Ambrose, who went to college in De La Salle, in his story Shapeshifter, tells of Irish people moving to England, and it catches well the sentiment that Tom O’Brien tries hard to suppress – ” They tried to live in England, the bucolic Irish provincial lives they’d actually left behind on Paddy’s Green Shamrock Shore. Hillbillies let loose upon the slick city. Peasantry who like peasants all over the world lived to eat, shit, sing, breed and die”. Tom O’Brien catches that dichotomy time and again, especially in My Time – “This then is my time/ A ribbon of memories/ Stretching back to an age/ I can hardly remember/ Anymore”.
I am glad Tom O’Brien didn’t ‘tidy up’ these poems that echo a line ” Sorry sir, there is no more room for memories/The past is full up”.
I am also enthused that Waterford City and County Council have funded Stagemad Theatre to present a Tom O’Brien play later this year.
Liam Murphy  Munster Express

ZANY SHANE

ZANY SHANE

Shane is planning to rob a bank

And decideS to trust me

‘She’d make a fucking brilliant getaway driver’,

He opines, and Gerry agrees.

‘Well, I don’t know,

I stop at zebra crossings,

And I’m pretty slow’.

‘See? That’s good,

If you were a fast driver

It would be very obvious,

No, a slow getaway driver is good’.

Later they sing;

‘Woman come in the name of love’,

And Shane shouts

‘I am a Catholic,

If I am dying please call a priest’.

‘Are you dying now?’

‘No, but I will be in the fucking morning’.

Then he laughs the bloody bar down.

NEVER

NEVER

Never say goodbye

If you don’t intend coming back

Never hail a cab

If it’s a colour that isn’t black

Never change your shirt

Just ‘cos it’s covered in grime and dirt

Never go to bed

If there’s something you left unsaid