

FOREVER YOUNG (James Dean)
He was no plaster saint
His granite face
Etched with the pain of his copious talent
A mere slip of a man
He died with no time to be famous.
That came later
JUST LIKE JOHNNY CASH
He stared like a haunted Johnny Cash
He smiled, his mouth a ghoulish gash
His voice bubbled like a bullfrog in a cauldron
And it seemed a mighty effort just to hold on
To the rasping chuckle he had found,
But then his rusty lyrics began to echo round the ground;
I have found my saviour, I have salved my sin
Oh Lord heal my sorrow, Sweet Jesus let me in
Sweet Jesus let me in. Yeah.
Cos I’m the man in black
And I just keep coming back. Yeah.
I been to San Quentin, and I’ve had the Folsom Prison Blues
And I sure have Walked The Line,
On my own, and with a Boy Named Sue
I’ve seen the Ring Of Fire, the Rock Island Line,
And I have messed with Cocaine Blues
But I’ve never been in town When The Man Comes Round
Yeah.
I don’t plan to be in town
When that son-of-a-bitch comes round.


A CONFEDERACY OF DUNCES
Re-reading this book after many years I had forgotten that its author, John Kennedy Toole, had committed suicide at the age of 31 in 1969. He had been trying unsuccessfuly to get it published for about six years, and became so depressed after many rejections that he took his own life. It was only through the tenacity of his own mother that the book was eventually published in 1980 and found the audience it deserved. It has since been recognised as one of the great American novels and deservedly won the Pullitzer Prize in 1981
It’s hero – or should that be anti-hero – Ignatius Reilly, is one of the great characters of English literature, a slob extroardinaire, a mad Oliver Hardy, a fat Don Quixote, a perverse Thomas Aquinas rolled into one, who is in violent revolt against the entire modern world, lying in his flannel nightshirt, in a back bedroom on Constantinople Street in New Orleans, who in between gigantic seizures of flatulence is filling dozens of notebooks with invective.
His mother thinks he needs a job; he does a succession of jobs, each rapidly escalating into a lunatic adventure, a full-blown disaster, yet each one has its own eerie logic. Ignatius is an intellectual,idealogue,deadbeat, goof-off, glutton, with thunderous contempt for for almost everybody; homosexuals, heterosexuals, Freud, Protestants, workers, bosses and the assorted excesses of modern times. A great rumbling Falstaffian farce of a book is the only way I can describe it and the shame is that Toole never lived to see the fruits of his labours. Read it and weep – with laughter!

BAD DREAM
Maybe it was a dream I once had
This part of Ireland with no lights on
A place where strangers
Looked over the border
With razor-blade eyes
Where tall trees swayed South
From one vast plantation
And bowler-hatted drum-bangers
Stomped the streets like toy soldiers.
A game – perhaps that was it;
Where the lowest common denominator
Was religion…or the lack of it.

MAN OF STEEL
I fuse bits of metal together;
A sculptor of steel.
Inanimate iron
Comes alive in my hands.
Angle-iron,flats,beams and round bars
Are my materials.
I heat them, bend them
Shape them and weld them.
I can make anything with steel;
A strong frame
That will hold a skyscraper
Erect;
A steel hull
That can ride the waves;
I can even make a boxy flower-pot stand.

OBSERVATIONS
Our lives are not our own
Our cards are marked from womb to tomb
Jealousy is the art of counting
Someone else’s blessings and not your own
You will never grow big by thinking small
The life you leave behind is no big deal at all
Be strong, be brave
But most of all don’t be a slave
To fashions, to politics, or whatever is the craze
Don’t run if you’re not able
And never expect happiness to come
With a glossy buy-me-now label.


RUSSIAN ROULETTE AS A CURE FOR DEPRESSION
‘The first time I pressed the trigger
I knew I was immortal’
‘I wished the feeling could last forever,
My jubilation was total’
‘I’m a five-timer’, he told the newcomer
Extending his gun-finger and closing it slow
Every lost life seemed etched on his forehead
Five down, one more to go
‘Boredom mostly’ and ‘it passes the time’
Were his excuses for such dramatic play.
‘And it turns the girls on too
In some extraordinary way’
‘The best cure for depression I know’,he said
Handing the game to the next in line
Where the muzzle blew a hole between his eye and his ear
Death, too, passes the time
taken from my recent collection ’67’, now available @ http://www.tinhuttalespublishers.co.uk/product/67-2/


Harold pinter wrote the following poem as a comment on the Gulf War and the USA involvement in it.
It was rejected for publication by the Independent, the Observer, the Guardian (on the grounds it was ‘a family newspaper’), the New York Review of Books and the London Review of Books. The last named, in particular, aroused Pinter’s ire by accompanying rejection with the assurance that the poem had ‘considerable force’ and that it shared the author’s views on the United States.
Harold says; ‘I started to write this poem on the plane going to the Edinburgh Festival in August 1991. I had a rough draft by the time we landed in Edinburgh. It sprang from the triumphalism, the machismo, the victory parade, that were very much in evidence at the time. So that is the reason for “We blew the shit out of them.”‘ Most editors used the words ‘obscene’ justify its non-publication. But that is the whole point:This poem uses obscene words to describe obscene acts and obscene attitudes.’
I GUESS NOT MUCH HAS CHANGED SINCE PINTER WROTE IT IN 1991
AMERICAN FOOTBALL
Hallelullah!
It works.
We blew the shit out of them.
We blew the shit right back up their own ass
And out their fucking ears.
It works.
We blew the shit out of them.
They suffocated in their own shit!
Hallelullah.
Praise the Lord for all good things.
We blew them into fucking shit.
They are eating it.
Praise the Lord for all good things.
We blew their balls into shards of dust,
Into shards of fucking dust.
We did it.
Now I want you to come over here and kiss me on the mouth.
For more than twenty years
I have emptied pens on virgin pages;
A million words at least
And many more chewed in frustration
Then spat into the dustbin of the ages.
Words are cheap and wordsmiths cheaper still
But we like our efforts to be appreciated
And performed ( better still)
Yet to Irish Theatres great and small,
I do not write plays at all;
You have ignored my work
Yet the English do not shirk
To place my plays centre-stage
And Americans too have premiered a few
Which makes me ask you nicely
Irish Theatres, what the FUCK
Is the matter with you?
BELONGINGS
I do not have a mill with shady willow trees
I have a horse and a whip
I will kill you and go
I do not have a red Ferrari or a pink rose
I have a rifle and a bandolier
I will shoot you and go
I do not to have a wife or a tiny yellow bikini
I have a mother and two goats
I will kiss you and stay