THE HOMECOMING a short story

THE HOMECOMING by Tom O’Brien

Did you ever see a hill shrink?  I mean get physically smaller bit by bit until there was nothing left.  To an occasional observer like myself it was probably more of a culture shock than if I had been present throughout its gradual disintegration.  But then, I only saw it every few years or so – when I came home on holidays from New York.  And every time there was another big chunk of it gone.  Things like that tend to stick in your mind.

It’s hard to describe how I felt about that hill.  It was like one of the family.  I grew up with it.  In the morning when I woke it would be there, looking down into our haggard.  A Jekyl and Hyde character; in the winter dark and foreboding, the mists clinging to its girth; in the summer smiling down on us children, beckoning us up into its warm embrace.

It never had a name, just The Hill. Mornings, before we left for school, mother would  shout at one of us to  run  to the Hill and fetch some milk from Nellie.  Nellie was our goat, and I think she liked The Hill better than our haggard.  The grazing wasn’t any sweeter up there, she just like the view.

She wasn’t the only one.  In summer we couldn’t wait to get home from school, divest ourselves of our school clothes, and climb up there.  There were five of us; my brother Seamus and myself, Frances and her two brothers, Billy and Josie.  We called our gang the Red Devils, which had Fr Dunphy sucking on his teeth when he first heard mention of the name. Frances was always kissing me,  which I didn’t care much for at the time.

The Hill was our territory.  Nobody could play there unless we invited them.  Once, we fought a running battle with some other kids who tried to muscle in.  We soon scattered them with a hail of stones.  That battle established it as our kingdom.  My father said we almost owned it anyway; the big farmer to whom it really belonged letting him have the use of it for ten shillings a year.

Clustered round its bottom were whitewashed cottages, the occasional bungalow, the pub, the creamery, and a galvanised shack occupied by a witch.  Behind the hill ran the railway line, and the level crossing,  which was manned by Frances’ father. Their house was part of the railway, and their front room was a mass of levers and cables.

We had a secret place on the Hill, a cave beneath an outcrop near its top.  You had to crawl on your belly to gain entrance because its mouth was guarded by several scraggy furze bushes.  We could have cut them down of course, but then we could have hidden inside and watched the goings-on below us.

The pub was the centre of the social activity.  On summers evenings there was open-air dancing on a makeshift stage in the field adjacent to the pub.  Old time waltzes and set dances  were the favourites.  The accordion player sat on a chair  playing his tunes, polishing off large bottles of porter as fast as they were put in front of him.  If playing was thirsty work then dancing was thirstier, and there was a constant stream of revellers shunting between pub and dance area.  From our vantage point we watched the dancers fling back their heads and swing their partners round and round, their shoes pounding on the timber, their shouts of joys ripping through the warm summer’s evening.

In the winter, the travelling shows came and pitched their tents in the same field, and entertained us for a few weeks with a mixture of comedy, drama and music.  Badly-acted plays and out-of-key singers warmed us up on many a cold night at the foot of the Hill.

My cousin, Nora,  took a fancy to one of the travelling showmen and began taking him up to our hiding place when the show was over.  We didn’t think much of that.  One summer’s evening we heard her screaming up on the Hill.  We found her in the cave, surrounded by a pool of blood.  When the doctor came he took away something in a bag, and later on I saw my father heading across the fields with a shovel on his shoulder.  The show never came by again.

As we grew older I began returning Francis’s kisses.  Now it was our turn to use the cave late at night!

I had just turned seventeen when the bulldozers moved in.  Shortly afterwards explosive experts began blowing up bits of the Hill, and the quarrying began in earnest. Soon there was a sprawling complex of dust-shrouded buildings, machines eating away at the Hill, and convoys of trucks bumping across the stony ground. Before long, the trees had turned grey, and the trains had stopped running.

My father cried as he watched the Hill disappear before his eyes.  The big farmer was sympathetic, but merely shrugged his shoulders; times were hard, and anyway, what use was a lump of rock to a farmer?  Father sold his smallholding, his sheep and his goats, and took a job in the quarry.  Very soon Seamus and myself followed.  Seamus was installed at the weighbridge, assisting with the dockets because he had a head for figures. Somebody must have reckoned I had a head for heights – because I was given the task of carrying the equipment for the men who set the charges. Every evening, just before six, the birds rose from the Hill like dust from a carpet, and shortly afterwards the silence was shattered by a series of thunderclaps.  Another bit of the Hill gone west.

It was shortly after my eighteenth birthday that Frances and Seamus died.  To the jaws of New York I ran; my solitary suitcase filled with the rags of my youth, a bottle of holy water, and a pile of Kit Carson and Johnny Mac Brown comics.  Away from the grief choking my lungs, and the red staining the grey rocks brown.  Away from the haunted thing staring at me from every reflective surface, and from the silent screams riding every breeze that tugged at the Hill’s battered face. Away to Uncle Willie.

          I saw many sights in New York, dreamed a thousand dreams, and knew real loneliness for a time.  The icy mistrals that periodically sweep down the great canyons of Broadway and the Bronx were warm compared to me.  I was a rock.  I was an island.  My days were spent constructing fashionable patios around  stucco-ed buildings with ornate entrances and moneyed owners, my nights in Uncle Willie’s counting house. In time, his small building firm became my large construction company.  Occasionally, when time permitted, I would come and watch the Hill grow smaller.

                                           ………………

All quiet here now.  The bulldozers and bedlam-makers have gone.  And so too has the Hill.  Erased from the skyline in thirty short years. A covering of topsoil hides some of the scars; here and there conifers and shrubs attempt to breathe new life into the pock-marked, lunar-like surroundings.  In the centre  a square of green, vivid against the drab background, seems strangely out of  place.  Even more incongruous is the white building, rising like a Phoenix from the embers, its five fluted columns standing like sentinels beneath its awning, its flanks guarded by a colonnade of progressively-sloping evergreens.

The pub still stands at the crossroads, grown larger and more prosperous over the years, and the creamery has expanded to become a cheese-making factory.  Of the level crossing and the railway there is no visible sign, although a cursory search would reveal the tracks still intact beneath the undergrowth. Most of the cottages have gone; replaced by new houses – many more of them – and the city, once more than five miles away, is now within spitting distance.

I look around me and shiver suddenly.  The ghosts of yesterday clamouring for attention once more.  The Red Devils scampering up that ungainly lump of granite. Voices drifting in the wind; “look what I found, look what I found!”.  Dogs, rabbits, burrows, names etched in flint.  Soft hair, silky thighs, music and laughter aloft on the breeze.  Then another excursion.  This time two people heading for the secret place, and another figure – hidden – watching.  An explosion.  The evening turning crimson. Two coffins submerged beneath a garden of flowers. A funeral cortege stretching further than the eye could see…Oh Frances, why? You and Seamus…Oh God!  I never meant for it to end like that…

A voice at my elbow brings me back to the present. 

“I found the keys in my briefcase.  Everything alright?”

I look at the man wearing the thick horn-rimmed glasses.  Was this tubby little estate agent really the boy I had played cowboys and indians with all those years ago?  Staked out on a warm rock as the rest of us chanted and danced around him?

“Yes”, I smile, “Everything is fine now Josie”.

He hands me the bunch of jangling keys.  “The keys to the Hill, Bernie. Welcome home”

end

KATHY KIRBY: ICON

https://youtu.be/8sV_c0Pbm50

Discovered and mentored by the great band leader Bert Ambrose, Kathy Kirby was groomed in the image of his ideal woman – a kind of late 1950s hybrid of Marilyn Monroe and Diana Dors, with crisply styled peroxide hair and startlingly glossy red lips. Ambrose’s concept was dated even by the time Kirby became a major television star on the strength of her early 1960s appearances inStars and Garters. But somehow – largely thanks to a winning and cheerful personality that knew instinctively how to reach a television audience beyond the camera and, crucially, a voice of spectacular power and emotional force, which commanded attention whatever she was singing – she transcended the stylistic straightjacket he imposed on her.

As so often in the annals of show business, Kathy Kirby’s life eventually came to mirror the more dramatic lyrics of some of her songs. This, combined with the unique qualities of her voice, dusted her with an almost mythical fascination, long after her active career had waned.

Ambrose had given Kirby her first break as a teenager, employing her on a short contract as a vocalist for his dance band after she had persuaded him to let her sing for him at the Palais de Danse in Ilford when she was just 16, in 1954. She spent the next few years paying her dues on the club circuit, singing with Ambrose on and off, and gaining valuable show-business experience. But it was not until he became her manager and took control of her recording and television career that things really took off, culminating in hit singles and albums for Decca, and some hugely popular television series. Their relationship soon developed privately and they would be together until his death in 1971, an arrangement that would have disastrous consequences for Kirby.

A new play, KATHY KIRBY: ICON, running at THE WHITE BEAR theatre, Kennington, sets the record straight about Kathy’s life,both in and out of the glare of publicity.

Listen to an interview by the actress who plays kathy on BBC Radio London. The interview is apprx 2hrs 13mins into the programme

http://www.bbc.co.uk/programmes/p03412rf

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KATHY KIRBY THE MUSICAL

KATHY KIRBY – ICON @ The White Bear Theatre, Kennington, London… 20th Oct – 8th Nov.

BE THERE!

https://www.facebook.com/KathyKirbyIcon?notif_t=page_invite_accepted

28-09-2015 19;20;25BookCoverImage

book available in paperback on Amazon.

GILMARTIN – a new play

My report on Sunday’s reading of Gilmartin at Pentameters:IMG_7398IMG_7395
The first thing to say is that there were quite a few surprises. The first was that we nearly had a full house for the occasion! It’s usually unheard of to get more than a handful to come to readings. The second was that the cast got a standing ovation at the end. The third was that a life-long friend of Gilmartin’s fetched up from Luton, and was so moved by the occasion that he almost broke down in tears at the q/a session afterwards. He did manage to issue an invitation to us to repeat the exercise in Luton, where he said we would have no problem getting a couple of hundred to come.  But the biggest surprise of all was that Tom’s  son and daughter turned up. They were very complimentary about the whole thing, particularly Tom Jr, who felt that we had got the essence of the story, and more importantly, the essence of his father. Phew…thank God for that!
As for the play itself, I thought it worked very well as a piece of theatre – much better than I expected. I wasn’t sure if the audience would get the story, being quite mixed, and story being so Irish, but they got it in spades! It seems to be a universal tale; corruption at high level, and contemptible treatment of the ordinary man/woman. The script still needs a little tweaking here and there, but not much, and I did get some useful insights to the man from Tom Jr – which I can add to the mix.
Where do we got from here? Not sure yet; we may go for a run at Pentameters later in the year or early next year, and we may well take up the invitation to do the gig in Luton, but there were also serious suggestions that we should do it in Dublin. The topic is still very hot in Ireland; and all the main protagonists are still walking around free as birds over there. They should be prosecuted but I don’t think the relevant authorities have any appetite for doing it. Apparently Bertie Ahern was on Irish radio yesterday being questioned about the bank scandal so none of it has gone away.
I think it could be a ‘big’ play if we could get the right backing, and my feeling is that a tour of Ireland, starting in Dublin, could be the way to go. It’s early days yet, so I think we will await developments for now.

ROLL ON TOMORROW!

13-07-2015 22;48;06

come along if you can – it’s FREE!

HOW TIME FLIES

This was the first performance of my first play. How time flies!

HOW TIME FLIES!

HOW TIME FLIES!

LONDON IS EATING ITSELF

LONDON IS EATING ITSELF

London is to wealth what

The jungle is to the orang-utan ;

Its natural habitat,

But it is feeding on its poor,

Who dare not live there anymore.

The cranes swing crazily

Building stepping-stones

Even nearer the stars

While oligarchs look on hungrily

Aboard their super turbo-charged yachts and cars.

The skyline plundered for profit

Daily now it seems

The dark star of the economy

Sucking in resources and people, even Queens.

Now even modest railway arches are upgraded

Out with the old in with the new

Shops and delis, pretentious and expensive

Now ‘prettify’ the view.

In a culture that is unstoppably,

Entrepreneurially driven.

Soon there will be corridors of steel and glass

From Limehouse to Kings Cross;

Miles of safety-deposit boxes in the sky

And nobody to occupy them –

Certainly not the like of you and I.

At night it becomes a wall of black

Punctuated by an occasional square of illumination;

In the boxes nobody is at home

And won’t be for a generation.

Then there are all the iceberg houses

Subterranean monstrosities

That dwarf the pygmy shacks

That sit a-top of them.

And their underground swimming pools,

Tennis courts, and cinemas

As large as  dance halls can be seen

Where London isn’t aiming for the stars

It is becoming a subterranean city

With nothing but an empty shell in between.

GILMARTIN – A NEW PLAY READING

27-06-2015 20;00;42

When Bertie Ahern resigned on May 6th 2008 after 11 years as Irish Taoiseach and more than thirty years all told in the corridors of power, it was as a direct result of the fall-out  that occurred from the treatment meted out to Irish businessman, Tom Gilmartin, which only emerged in its entirety at the conclusion of the Mahon Tribunal, which had sat for almost 15 years before reaching its conclusions in 2012.

Tom Gilmartin had emigrated to Luton in the 1950’s from Sligo, and over the years had built up a successful business in construction and engineering, in Luton and South East England. Now a multi millionaire he decided in the late 1980’s to invest his experience – and money – in some projects in Dublin, where unemployment was high, and where poverty had once again seen many young Irish people cross the water in the hope of a better life.

Tom had ambitious plans for several major retail developments in the city, which he hoped would provide work for hundreds, if not thousands, in the city,  but little did he know that in order to do business in Dublin, senior politicians and public officials would want a slice of the action – in large amounts of cash.

Embittered and impoverished by his experiences, Tom finally blew the whistle on the corruption at the heart of government and the city’s planning system. His complaints resulted in the setting up in 1997, by order of the Oireachtas, of the Mahon Tribunal to look  into ‘certain planning matters and payments’. Ironically, it was championed by none other than one Bertie Ahern.

Length…2 hours approx./Setting…Dublin 1990’s – 2000’s

WORMWOOD

WORMWOOD

Wormwood isn’t here

The sign said, rather waspishly.

It wasn’t the Wormwood I remembered;

Scrubs Lane on a wet Sunday

The outback in West London

No buses, no cars, no people

Just limp grass, acres of the stuff

And, oh yes, the finest redbrick edifice

Victoria’s henchmen could construct.

No rotting bodies in here, my friend.

Not Newgate, not by a long shot

Though debts must still be paid

And some may still get laid

Lord Alfred Douglas lay here,

As did Charles Bronson,

Keith Richards, Leslie Grantham.

And  George Blake

Scurrying along in his traitor’s gait

Till the day he pole-vaulted to freedom

More or less

Before waving goodbye

To his English life,

His liberty and his wife

And all those Wormwood scrubbers

MORE ABOUT SOHO

MORE ABOUT SOHO

The French House was humming

Bodies leaning on the counter

Furiously puffing the cigs they had been bumming

This was Bohemia in action

Rich and poor, straight and gay

No sign of fighting or faction.

Down the street at Bambino’s

The Very Miss Dusty O

Was manning the door in drag

A king-size always on the go

It wasn’t corporate, it wasn’t mundane

Way back then

And Francis Bacon frequently came by

To eye up the available young men.

There was Trannyshack on Wednesday nights

Where punks met pimps

And gays, straights, dragsters, hipsters and pop stars

Regularly mixed with Colonel Blimps.

And Grace Jones might be found

Dancing on a table to one side

With Gaultier and Donatelle Versace

Leading the Conga in the road outside.