OMG…I SLEPT WITH THE BASS PLAYER!

'So senseless and tragic. When will young people learn?'

OMG…I SLEPT WITH THE BASS PLAYER!

Bass players are gross

Bass players give you a dose

They usually have long hair

And they’re always scratching down there

They just stand around looking dopey

And their voices are usually ropey

Then they pluck on them string…things

And the sound…omg…my head just whings

And then I look at the lead guitarist play

And I think, he can tickle my frets any old day

So to find myself waking up next to a bass-playing dope

Makes it kinda hard for a girl to cope

‘Cos nobody sleeps with the bass player innit?

Fuck it, I’ll do the drummer in the next bed in a minute!

MAN OF STEEL

MAN OF STEEL

I fuse bits of metal together

A sculptor of steel

Inanimate iron

Comes alive in my hands.

Angle-irons, flats,round bars

Are my materials

I heat them, bend them,

Shape them and weld them

I can make anything with steel;

A strong frame

That will hold a skyscraper

Erect,

A steel hull

That can ride the weaves.

I can even make a fancy flower-pot stand.

BARLEY LANE, HASTINGS

TAKEN EARLIER TODAY244 243 245 247 252

BARLEY LANE, HASTINGS, UK this morning

all my books are now available @  http://www.amazon.co.uk/Tom-OBrien/e/B0034OIGOQ/ref=sr_tc_2_0?qid=1388083522&sr=1-2-ent

3 PUNKS – an extract

3 PUNKS – AN EXTRACT

3 PUNKS

By

Tom O’Brien

A bare stage. A bar with some stools stage left. Some drinks scattered about. A screen to back with images of Punks etc. Spotlight no 1 on JOHN LYDON. Spotlight no.2 on SHANE MACGOWAN. Spotlight no. 3 on JOE STRUMMER.  All three acknowledge the audience. Hold the spotlights for a few moments, then they all step forward and sing a verse each from 3 songs. John sings ANARCHY UK, Shane sings IF I SHOULD FALL FROM GRACE, Joe sings LONDON CALLING. All are dressed in the punk styles of their generation; Lydon wears an I HATE PINK FLOYD tee-shirt;  Joe carries a guitar.  It has a label which reads – THIS MACHINE KILLS FASCISTS ; Shane has a pint and a fag in his hands.

JOHN:            I consider myself working class. And we, the working class, we’re lazy good-for-nothing  bastards. We never accept responsibility for our lives – that’s why we’ll always be downtrodden. We seem to enjoy it in a perverse sort of way; we like being told what to do, led like sheep to the slaughterhouse, as it were.

JOE:               I was born John Mellor in Ankara, Turkey, in 1952. My father worked for the Foreign Office, with the result I had a life moving around different places when I was young; Cairo, Mexico City, West Germany, before we finally settled in the UK. My parents were still posted abroad though so at the age of eight I was packed off to boarding school, along with my elder brother David. That was our home for the next nine years, seeing our parents just once or twice a year. I suppose that’s why I became so fucked up.

SHANE:      I grew up in Puckaun. Back of beyond Tipperary. On a farm. My mother’s people. My uncle Jim used to sleep in the haystacks, ya know? He’d get pissed off about how overcrowded it was because there were about fourteen people living in the house.  You’d be playing in the haystacks and you’d suddenly realise Jim was asleep in the hay, under the tarpaulins. It was either that or sleep in the same bed as uncle John – and uncle John used to fight in his sleep. ‘Fock yez, I’ll fockin kill yez, ye conts’. So uncle Jim got so sick of it he would sleep in the haystacks, and in the end he never slept in a bed again.

JOHN:              I loathe the British Public School system with a passion. How can anybody have the right to a better education just because their parents have money? I find that vile. They talk with this sense of superiority , the upper classes, and they have it. They have all the right connections once they leave school, and they parasite off the population as their  friends help them along. You never see that with the working classes.

JOE:               Our school’s initiation rite involved a choice of being beaten up or lying in a bath of used toilet paper. I got beaten up! I guess it toughened me up, taught me to be independent, but there was always this sense of abandonment; having to pretend your parents didn’t exist. There was this ‘Lord Of The Flies’ feel to the all-male dorm and bullying was rife; it was a really brutal school and they filled you with crap.

JOHN:              Because with the working classes, if you have any kind of success your friends, your neighbours, will turn round and hate you instantly.  “You’re not working class anymore!”

That used to worry me when I was younger, but I couldn’t give a toss now. I regard myself as working class and that’s all that counts. It was similar if you managed to read a book – and actually understand it! Then you were a snob, a poof, or a sissy. Labels, that’s all they were. Meaningless fucking labels.

SHANE:        (to Lydon) I remember the first time I saw you. You had long hair and wore a bovver hat. You were quite fat.

JOHN:            Fuck off you seldom fed culchie.

JOE:               That’s a Brendan Behan line.

JOHN:            And you can fuck off too, Strummer.

SHANE:         The next time you had blue hair. I’ll say this; it took some bottle to wear blue hair in Finsbury Park in those days. Chee…chee.

JOHN:            If you don’t accept me as I am then don’t accept me at all, that’s always been my motto. I was practically unlovable most of my early life. I wouldn’t even let my parents go near me. From a very early age it was – “get off! Don’t touch me! Leave me alone!”

SHANE:         I bet you fondled yourself.

JOE:               Well, isn’t this cosy. Three old punkers livin’ it up.

SHANE:         More like the three stooges, fuckin’ it up. Chee…chee.

JOHN:            Wait a minute! What are you doing here, Strummer? What’s he doin’ here? He’s fuckin’ dead. (He looks around)       Where is this place?

SHANE:         Yeah, Joe, what are you doing here?

JOE:               I thought you believed in re-incarnation, Shane.

SHANE:         Yeah, I do. But you can’t come back as yourself, can you? A dog, maybe. Or a chicken. Chee…chee.

JOE:               Maybe it’s all a dream.

JOHN:            The question is – whose dream?

JOE sings a few lines from Bruce Springsteen’s THE RIVER  and glides away

Now those memories come back to haunt me,

They haunt me like a curse.

Is a dream a lie if it don’t come true,

Or is it something worse?

JOHN:            Yeah, I fondled myself. But I never screamed as a youngster. That shocked my mother when she first heard the Sex Pistols. I had always been so quiet. She’d never seen that side of me. She probably thought she had raised a lunatic.

SHANE:         And you proved her right. Chee…chee.

JOHN:            Yeah. Had I not had my family I would have turned into a psychopath or something. Looking at how other people behaved I was definitely weird. I always had this sense of detachment…isolation… even when I was part of the Pistols this continued. I was never part of the group in any meaningful way. I came and sang my songs and then went home alone. I was never invited to any parties or get-togethers; I never felt really belonged.

Joe returns.

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THE BAND

THE BAND

I was sitting at the bar

Strumming on my guitar

And twiddling with the knobs

On an old black radio

When someone shouted out;

Hey, That sounds like Dr Hook

Ain’t that right, daddyo?

I said, Mick, you’re just full of shit

‘Cos that’s  The Band – laddyo.

And then I started on that old refrain;

Virgil Caine is my name

And I served on the Danville train

Till Stoneman’s cavalry came

And tore up the tracks again…

GOD IS NOT A GOOD TRAVELLER

GOD IS NOT A GOOD TRAVELLER

God is not a good traveler

He has not been to Kinshasa

As far as I know

Nor has he been to Sierra Leone

As I am sure he would crow.

He has never been to Aleppo

Buachi, Zaria  or Es Sider either

Perhaps he should takes Kipling’s advice;

‘The first condition of understanding

A foreign country is to smell it’

WHO KILLED JAMES JOYCE?


//

Who Killed James Joyce? by Patrick Kavanagh

Who killed James Joyce?
I, said the commentator,
I killed James Joyce
For my graduation.

What weapon was used
To slay mighty Ulysses?
The weapon that was used
Was a Harvard thesis.

How did you bury Joyce?
In a broadcast Symposium.
That’s how we buried Joyce
To a tuneful encomium.

Who carried the coffin out?
Six Dublin codgers
Led into Langham Place
By W. R. Rodgers.

Who said the burial prayers? –
Please do not hurt me –
Joyce was no Protestant,
Surely not Bertie?

Who killed Finnegan?
I, said a Yale-man,
I was the man who made
The corpse for the wake man.

And did you get high marks,
The Ph.D.?
I got the B.Litt.
And my master’s degree.

Did you get money
For your Joycean knowledge?
I got a scholarship
To Trinity College.

I made the pilgrimage
In the Bloomsday swelter
From the Martello Tower
To the cabby’s shelter.

PLANTAGENET

PLANTAGENET

When the long tally is added

And all the castles are counted

And significant others such as

Kings College,

Cambridge

Eton College

Westminister

Are included

Then Plantagenets ruled.

But kingship was transformed

By weak Rulers

And compromises such as Magna Carta

And when the Hundred Years’ War is reckoned up

And the houses of Lancaster and York

And their internecine strife

Called the War of the Roses, is included

And their last Plantagenet king, Richard III

Dying ingloriously on a muddy Bosworth field

Only to be dug up,

A legless collection of bones

In a car park in Leicester

Some five centuries later,

Then the question to be asked is this;

WAS IT WORTH IT?

Royal Arms of England (1198-1340).svg

I WONDER WHAT THEY WILL SAY?

I WONDER WHAT THEY WILL SAY?

I wonder what they will say of me when I am gone?

It was him that penned those lines, you know

The ones about choking the chicken.

Ah, poor Katie Doyle never lived that one down!

And the lies he told in that Altar Boy book he wrote

Just as well his poor mother wasn’t still around…

Then there was that tale about the Kray Twins

How he walked and smoked with them

On remand in Wormwood Scrubs if you don’t mind!

How they didn’t seem nearly as bad as they were painted

In fact he almost said they were kind!

I wonder what they will say of me when I am gone?

Perhaps they will say nothing

LETTERS TO MOTHER AND OTHER DEAD RELATIVES (extract)

Letters_To_Mother_An_Cover_for_Kindle

available in paperback or ebook on Amazon

Dear Mother,

We never had much to say to each other when you were alive. I suppose that had a lot to do with you being grounded in the tranquility of rural County Waterford, while I misspent my youth on the mean streets of that area of London often referred to as County Kilburn. Even when we did speak it was only in platitudes; nothing of importance was ever touched upon. Mainly, I assumed, because nothing of importance had ever happened in our family’s history. So the chances of you surprising me from beyond the grave were very remote indeed.

It began with enquiries about your favourite son, John. Telephone calls to friends and

neighbours, even to the Parish Priest in Newtown. Nosing around, you would call it. Eventually the caller phoned John himself, which is how I became involved.

Apparently we were the beneficiaries of a legacy. A substantial sum of money was laying in British Government coffers, the trail of which led back to our paternal grandfather, Tom, and we were the next in line. Nobody ever spoke about grandpa Tom; Why was that?  And now that I think of it, why is grandpa buried in one parish – Newtown – and grandma in another – Ballyduff? And why did father scrupulously care for grandma’s grave, and not grandpa’s?

But back to the legacy. There was a catch – there always is – the caller required us to sign a contract giving him 33% of the estate before revealing details to us. As I happened to consider that excessive for a ‘finders fee’ I began my own investigations on the internet.

As far as I could see, the only family member who it could possibly be was Aunt Margaret.

When I had last seen her ten years ago, she was already an old woman, living in poverty in Lewisham. (I know you always said she had loads of money, but if you had seen how she lived then you would have changed your mind)

Anyway, after several hours of queries to Ask Jeeves and co, I came across a British government website called www.bonavacantia.co.uk  I typed in a name and there it was in black and white! Margaret O’Brien…. Lewisham, died intestate 2005. Estate £XX,000 How well you knew her!

But of course you didn’t really. Nobody did. Not even my father – her own brother. He never spoke about her.  Why was that? She left Waterford in 1947 and was never seen by any member of the family again, apart from myself. Oh, I know you wrote her the occasional letter and she sent parcels of used clothes to you. ‘Her cast-offs’, you called them, before burning the lot.

What was it that caused her to go away and never come back?

She came to visit me in Kilburn shortly after Karen was born – was that your doing, giving her my address? – And we kept in contact until I moved away from the area. She liked the idea of having a niece, but I found her a strange, secretive woman.

When I last saw her she was housebound, living in a dingy council estate in Deptford. And given to calling me ‘Captain’ – because I don’t think she remembered who I was any more. After that I forgot about her.

To establish claim to the estate I have had to furnish various documents; birth, marriage, death etc. Which is how I learned that my father and Aunt Margaret weren’t the only children born to my paternal grandparents. There were three other children, John, James and Catherine. What

happened to those uncles and aunt? Father never spoke of them. They are not still alive as far as I can establish, but neither have I yet ascertained where and how they died and where they are buried.

But you, mother dear, served up the biggest surprise of all. On your marriage certificate, it says FATHER UNKNOWN. Why, in my childhood, did I never realize that your mother was unmarried? Or query the fact that your father had never been around. Oh, there was a man about the house – your mother’s brother Mikey – and maybe I subconsciously associated him with being  your father. Mikey, with his wooden leg -he had lost the real one fighting with the British Army in Flanders – lives on in my memory, and I can still recall trying to remove my leg as he did his, and wondering why I couldn’t. I almost wish now that he had been your father.

I have since learned that you did know your father. He was a friend of Mikey’s who had also joined the British Army, but had been killed in the same battle that had seen my granduncle lose his leg. Killed before he could make an honest woman of your mother.

Killed before he could respectably be put down on your wedding certificate as your father.

You never spoke about any of this. Not to me, anyhow. Was this what made you melancholy in your later years? The thought of your mother living all her life in her little thatched cottage in Grenan, the man she loved lying in an unmarked grave, lost forever in those green fields of France?

I think it’s sad that I find you more interesting dead than I ever did when you were alive.

Your loving son, Tom

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