SMOORING THE FIRE

SMOORING THE FIRE

Peat, fuel of the Highlands,

Calling for smaladh,

Smothering, smooring.

The woman places embers in the middle of the floor,

Forming a circle,

Dividing it into three

With a small boss in the middle.

A peat sod is laid in each section

The first smouldering peat

For the God of Life,

The second for the God of Peace,

The third the God of Grace;

All are covered with ashes

To subdue, but not extinguish,

As the fire itself

Becomes three in the name of Light.

Slightly raised in the centre

Is the boss,

Now called the Tula Nan Tri,

The Hearth of the Three.

The woman closes her eyes,

Stretches her hands

And softly intones her

Lamentations and incantations

An oidhche

An nochd

O! An oidhche

LOOKING FOR GOOGLE

LOOKING FOR GOOGLE

Driverless cars

Headless chickens

Oops! mind that blind…

Oh, what the Dickens!

The lingua franca

In Google we trust,

In God if we must.

Look, no hands!

It’s not a boast

It’s a statement of fact,

I don’t drive, it’s all an act.

The phone on my table

Speaks in eighteen different languages if tasked

And can answer questions

(Sometimes before they are asked).

Now they have sent ten thousand

Helium balloons into the stratosphere

Seeking all the disconnected;

Wi-Fi for all – and soon

They could – in theory – I guess

Set up shop nowadays on the moon

This is their ‘toothbrush’ test;

“Focus on the user and all else follows”

Culture and success go hand in  hand;

If you don’t believe your own slogan

You’re already in no-mans land.

CUPID STUNTS

 

CUPID STUNTS

I see that I am at number 1,205,646

In the Amazon/Kindle best-seller list

Again

Last week I was at number 650,249

And the previous week 233,184

Or was that the week before?

I don’t think I have got into the top 100

Yet

I like to see the wild fluctuations in the list

Thousands of points variation

Mean lots of sales, innit?

Though I must confess

It puzzles me a little bit

Because according to Amazon’s

Own – very reliable – sales chart

I sold no books at all last week

And only one all last month

So Amazon/Kindle

Here’s my conclusion

You must be one cupid stunt

PARTING

PARTING

The sun also rises over concrete

Over this puff-adder sky

And the pricked-up chimneys

Looking like piss-horns in the stark morning

There are no shadows yet

On this marbled plain

So tender in years

But so sparing with love

I shiver at the bus stop

Admiring this proliferation of granite;

So cold, so hard,

So like you….

GILMARTIN

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THE MORONIC INFERNO

THE MORONIC INFERNO

Oh yes,

The moronic inferno

Burns brightly these days

And nights

Almost as bright in fact

As the ever-glowing Northern Lights.

And the morons dance round their blazing fires

Hurtling insults to their hearts desires

Pontificating cluelessly,

About the economy – stupid! – and their messy

Sexual habits

With all the morals of a world of rutting rabbits,

And their institutionalised racism

Which they deliver verbatim –

I am not racist BUT…

What if the shoe was on the other foot?

I AM VERY BOTHERED – by Simon Armitage

Simon Armitage was born in Marsden, West Yorkshire. Armitage first studied at Colne Valley High School, Linthwaite, Huddersfield and went on to study geography at Portsmouth Polytechnic. He was a post-graduate student at Manchester University where his MA thesis concerned the effects of television violence on young offenders. Until 1994 he worked as Probation Officer in Greater Manchester.

I AM VERY BOTHERED

I am very bothered when I think
of the bad things I have done in my life.
Not least that time in the chemistry lab
when I held a pair of scissors by the blades
and played the handles
in the naked lilac flame of the Bunsen burner;
then called your name, and handed them over.

O the unrivalled stench of branded skin
as you slipped your thumb and middle finger in,
then couldn’t shake off the two burning rings. Marked,
the doctor said, for eternity.

Don’t believe me, please, if I say
that was just my butterfingered way, at thirteen,
of asking you if you would marry me.

MIRIAM – by Truman Capote

Miriam ~ A Classic American Short Story by Truman Capote

For several years, Mrs. H. T. Miller lived alone in a pleasant apartment (two rooms with kitchenette) in a remodeled brownstone near the East River. She was a widow: Mr. H. T. Miller had left a reasonable amount of insurance. Her interests were narrow, she had no friends to speak of, and she rarely journeyed farther than the corner grocery. The other people in the house never seemed to notice her: her clothes were matter-of-fact, her hair iron-gray, clipped and casually waved; she did not use cosmetics, her features were plain and inconspicuous, and on her last birthday she was sixty-one. Her activities were seldom spontaneous: she kept the two rooms immaculate, smoked an occasional cigarette, prepared her own meals and tended a canary.

Then she met Miriam. It was snowing that night. Mrs. Miller had finished drying the supper dishes and was thumbing through an afternoon paper when she saw an advertisement of a picture playing at a neighborhood theatre. The title sounded good, so she struggled into her beaver coat, laced her galoshes and left the apartment, leaving one light burning in the foyer: she found nothing more disturbing than a sensation of darkness.

The snow was fine, falling gently, not yet making an impression on the pavement. The wind from the river cut only at street crossings. Mrs. Miller hurried, her head bowed, oblivious as a mole burrowing a blind path. She stopped at a drugstore and bought a package of peppermints.

A long line stretched in front of the box office; she took her place at the end. There would be (a tired voice groaned) a short wait for all seats. Mrs. Miller rummaged in her leather handbag till she collected exactly the correct change for admission. The line seemed to be taking its own time and, looking around for some distractions, she suddenly became conscious of a little girl standing under the edge of the marquee.

Her hair was the longest and strangest Mrs. Miller had ever seen: absolutely silver-white, like an albino’s. It flowed waist-length in smooth, loose lines. She was thin and fragilely constructed. There was a simple, special elegance in the way she stood with her thumbs in the pockets of a tailored plum-velvet coat.

Mrs. Miller felt oddly excited, and when the little girl glanced toward her, she smiled warmly. The little girl walked over and said, “Would you care to do me a favor?”

“I’d be glad to if I can,” said Mrs. Miller.

“Oh, it’s quite easy. I merely want you to buy a ticket for me; they won’t let me in otherwise. Here, I have the money.” And gracefully she handed Mrs. Miller two dimes and a nickel.

They went over to the theatre together. An usherette directed them to a lounge; in twenty minutes the picture would be over.

“I feel just like a genuine criminal,” said Mrs. Miller gaily, as she sat down. “I mean that sort of thing’s against the law, isn’t it? I do hope I haven’t done the wrong thing. You mother knows where you are, dear? I mean she does, doesn’t she?

The little girl said nothing. She unbuttoned her coat and folded it across her lap. Her dress underneath was prim and dark blue. A gold chain dangled about her neck, and her fingers, sensitive and musical looking, toyed with it. Examining her more attentively, Mrs. Miller decided the truly distinctive feature was not her hair, but her eyes; they were hazel, steady, lacking any childlike quality whatsoever and, because of their size, seemed to consume her small face.

Mrs. Miller offered a peppermint. “What’s your name, dear?”

“Miriam,” she said, as though, in some curious way, it were information already familiar.

“Why, isn’t that funny—my name’s Miriam, too. And it’s not a terribly common name either. Now, don’t tell me your last name’s Miller!”

“Just Miriam.”

“But isn’t that funny?”

“Moderately,” said Miriam, and rolled a peppermint on her tongue.

Mrs. Miller flushed and shifted uncomfortably. “You have such a large vocabulary for such a young girl?”

“Do I?”

“Well, yes,” said Mrs. Miller, hastily changing the topic to: “Do you like the movies?”

“I really wouldn’t know,” said Miriam. “I’ve never been before.”

Continue reading

BLOODY MOTHER FUCKING ASSHOLE by Martha Wainwright

NOW THERE’S A SONG!

“Bloody Mother Fucking Asshole”

Poetry is no place for a heart that’s a whore
And I’m young & I’m strong
But I feel old & tired
Overfired

And I’ve been poked & stoked
It’s all smoke, there’s no more fire
Only desire
For you, whoever you are
For you, whoever you are

You say my time here has been some sort of joke
That I’ve been messing around
Some sort of incubating period
For when I really come around
I’m cracking up
And you have no idea

No idea how it feels to be on your own
In your own home
with the fucking phone
And the mother of gloom
In your bedroom
Standing over your head
With her hand in your head
With her hand in your head

I will not pretend
I will not put on a smile
I will not say I’m all right for you
When all I wanted was to be good
To do everything in truth
To do everything in truth

Oh I wish I wish I wish I was born a man
So I could learn how to stand up for myself
Like those guys with guitars
I’ve been watching in bars
Who’ve been stamping their feet to a different beat
To a different beat
To a different beat

I will not pretend
I will not put on a smile
I will not say I’m all right for you
When all I wanted was to be good
To do everything in truth
To do everything in truth

You bloody mother fucking asshole
Oh you bloody mother fucking asshole
Oh you bloody mother fucking asshole
Oh you bloody mother fucking asshole
Oh you bloody mother fucking asshole
Oh you bloody…

I will not pretend
I will not put on a smile
I will not say I’m all right for you
For you, whoever you are
For you, whoever you are
For you, whoever you are

NEW WAVES

 

NEW WAVES

To hear someone say;

I worked my fingers to the bone

So someone sharper could take my home,

Raises few eyebrows these days

Work isn’t the toad

Work is the poor man’s load

Piled up all his life ahead

Never relenting until he’s finally dead

You could of course ignore it;

No mortgage, no gadgets that comfort

No requirement to pay-as-you-earn it;

A kind of existence