VIADUCT IN PONDERS END

 

VIADUCT IN PONDERS END

 If I were a sheep

Picking a living on this canted grass

I might wish to communicate with my friends,

Similarly pitched across the way,

But would be unable to do so,

Barred by this tarmac valley

That gouges its way between us

 

Conversation would be useless in any case;

This crew-cut corridor is filled

With the tuneless dissonance

Of steel engaging steel

The cadences of piston power reverberating

The never-ending whine and grind

Of this rusty city…

 

If I were a sheep

I think I would wear ear-muffs

from my new collection’ 67′.  http://www.tinhuttalespublishers.co.uk/67/

 

 

THE LESS DECEIVED

Sexual intercourse began
In nineteen sixty-three
(which was rather late for me) –
Between the end of the Chatterley ban
And the Beatles’ first LP.

This is the opening verse of Philip Larkins classic poem Annus Mirabilis, a poem which I consider to be one of my favourites of all time.  Larkin was generally acknowledged as  curmudgeonly,  and one of the most miserable men in England; he once said  of himself that ‘deprivation is for me what daffodils were for Wordsworth’. He was an inveterate letter-writer, and those published after his death in 1985 reveal his right wing views and his racist language. Indeed one historian described him as a ‘casual, habitual racist and an easy misogynist’. He also had a taste for soft porn – though had he still been alive today I expect he would have graduated to the hard stuff! There is no doubt that he had lecherous tendancies; and he conducted three seperate affairs together during one period of his life.  Tough cookie!

“Morning, noon & bloody night,
Seven sodding days a week,
I slave at filthy WORK, that might
Be done by any book-drunk freak.
This goes on until I kick the bucket.
FUCK IT FUCK IT FUCK IT FUCK IT” 

He was born in Coventry in 1922, earning the title ‘the bard of Coventry, though he worked most of his life as University librarian at the University of Hull. He wrote two early novels before turning almost exclusively to poetry, although he did contribute a lot to Lucky Jim, the first novel of his great friend Kingsley Amis. His first published collection was called The North Ship, but it was his second collection The Less Deceived, that got him noticed.

They fuck you up, your mum and dad.
They may not mean to, but they do.
They fill you with the faults they had
And add some extra, just for you.

But they were fucked up in their turn
By fools in old-style hats and coats,
Who half the time were soppy-stern
And half at one another’s throats.

Man hands on misery to man.
It deepens like a coastal shelf.
Get out as early as you can,
And don’t have any kids yourself.” 

Undoubtably one of England’s finest poets, he couldn’t stand pretentiousness and once commented;  “I can’t understand these chaps who go round American universities explaining how they write poems: It’s like going round explaining how you sleep with your wife.”  

MUSHROOMS

        

MUSHROOMS

 When I was knee-high to a man

And fields were free

We picked mushrooms

On mornings such as this

 

Barbed wire, where it existed,

Was negotiable.

Now the Stalag-masters have returned

And fenced us out

 

Or is it in?

from my new collection of poetry ’67’ – http://www.tinhuttalespublishers.co.uk/67/

 

NOT WAVING BUT DROWNING

Nobody heard him, the dead man,
But still he lay moaning:
I was much further out than you thought
And not waving but drowning.

This is the first verse of Stevie Smiths classic poem ‘Not Waving But Drowning’. That’s always the dilemna isn’t it? How to determine that the wave isn’t a cry for help. That brave smile could be a grimace in disguise, masking all kinds of pain and anguish. That stiff upper lip could be holding back a tidal wave of of worry.

Smith herself was often drowning when she appeared to be waving. Deserted by her father when she was three, she lived with her mother and her sister Molly in Palmers Green. She suffered from depression all her life and when her mother died when she was sixteen her aunt Madge moved in to look after her. She wrote in several poems that death ‘was the only god who must come when he is called’.

Stevie wrote  3 novels and 10 collections of poems during her lifetime and.although she never married, was said to have been George Orwell’s lover. She never quite abandoned the Anglican faith of her childhood, describing herself as a ‘lapsed athiest’, and one of her poems contains these lines; ‘there is a God in whom I do not believe/Yet to this God my love stretches’.  She died in 1971 aged 69.

might as well finish  ‘Not Waving but Drowning’!

Poor chap, he always loved larking
And now he’s dead
It must have been too cold for him his heart gave way,
They said.

Oh, no no no, it was too cold always
(Still the dead one lay moaning)
I was much too far out all my life
And not waving but drowning.      

FALL

 

FALL

 Autumn mornings are best;

The sun smiling low over the gasworks

Flighty leaves browning the common

Kites lark-high over the tree-tops

Coffee and a roll in the old rectory

And you by my side

from my new collection of poetry ’67’.  http://www.tinhuttalespublishers.co.uk/67/

 

RACISM AND BIGOTRY IN IRELAND

BISEXUAL FATHER + RACIST NEPHEW + ABORIGINAL WIFE = RACISM AND BIGOTRY IN IRELAND

DON’T MISS THIS NEW PLAY

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Synopsis: The dysfunctional Kennedy clan are having a re-union. There’s the father, Con, a successful building contractor in London who has had to relocate back in Ireland because of tax irregularities in the UK.  Con is secretly bisexual, although not-so-secret from his wife, Marion, who has known it all along and kept quiet about it. His estranged son, Michael, turns up after five years in Australia with Cathy, his new aborigine wife.  To say his parents are surprised would be putting it mildly. His nephew, Jimmy, also turns up and it is soon apparent that his racist, bigoted views haven’t mellowed any as he has got older. We learn that he is there at Con’s invitation; his real reason being to spy on Marion, who Con suspects of having an affair. Jimmy also has his own agenda, selling crack/cocaine to the local drug users – a plan which backfires when the drugs, which he has buried in the back garden, are discovered by Michael, heightening the already tense atmosphere in the house. Add in JJ, construction manager for Con, whose attraction to Marion must be obvious to everyone except Con.

 

 

http://www.pentameters.co.uk/index.html

 

IN PRAISE OF MONARCHS

            

 

IN PRAISE OF MONARCHS

 He dug ditches in obscurity

Raised ten children to maturity

When pushed he said;

‘I do the best I can. Life’s hard

On the working man, but I mustn’t complain

I’ve got my health, while there’s others

Who can’t stop dying for all their wealth.

All that stuff in China…I wouldn’t give it

If they changed my lot for Royalty I wouldn’t live it.

There’s more to life than being famous you know’.

ROTTEN REJECTIONS

      

Here’s what some publishers said about books they rejected. THERE’S HOPE FOR US ALL YET!

ON THE ROAD by Jack Kerouac
‘His frenetic and scrambled prose perfectly express the feverish travels of the Beat Generation. But is that enough? I don’t think so.’

Lady Chatterley’s Lover by D H Lawrence
‘for your own sake do not publish this book.’

The Wind in the Willows by Kenneth Grahame
‘an irresponsible holiday story’

Lord of the Flies by William Golding
‘an absurd and uninteresting fantasy which was rubbish and dull.’

Watership Down by Richard Adams
‘older children wouldn’t like it because its language was too difficult.’

Crash by J G Ballard
‘The author of this book is beyond psychiatric help.’

The Deer Park by Norman Mailer
‘This will set publishing back 25 years.’

Gentlemen Prefer Blondes by Anita Loos
‘Do you realize, young woman, that you’re the first American writer ever to poke fun at sex.’

The Diary of Anne Frank
‘The girl doesn’t, it seems to me, have a special perception or feeling which would lift that book above the “curiosity” level.’

Lust for Life by Irving Stone
(which was rejected 16 times, but found a publisher and went on to sell about 25 million copies)
‘ A long, dull novel about an artist.’

The Spy who Came in from the Cold by John le Carré
‘You’re welcome to le Carré – he hasn’t got any future.’

Animal Farm by George Orwell
‘It is impossible to sell animal stories in the USA’

Lady Windermere’s Fan by Oscar Wilde
‘My dear sir,
I have read your manuscript. Oh, my dear sir.’

Lolita by Vladimir Nabokov
‘… overwhelmingly nauseating, even to an enlightened Freudian … I recommend that it be buried under a stone for a thousand years.’

 

 

see all my books here:  http://www.amazon.co.uk/Tom-OBrien/e/B0034OIGOQ/ref=sr_tc_2_0?qid=1388083522&sr=1-2-ent

 

PARTING

PARTING

 The sun also rises over concrete

Over this puff-adder sky

And the pricked-up chimneys

Looking like piss-horns in the stark morning

 

There are no shadows yet

On this marbled plain

So tender in years

But so sparing with love

 

I shiver at the bus stop

Admiring this proliferation of granite;

So cold, so hard,

So like you….

 

 

DRINKERS WITH WRITING PROBLEMS

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BRENDAN BEHAN, seen here with Harpo Marx, often said ‘ I’m not a writer with a drinking problem, I’m a drinker with a writing problem’. His brother, Brian, saw it slightly differently;   ‘What Brendan really was was a painter with a writing problem. No matter in what country of the globe he resided, or how many luminaries he met, the would always be a painter in his soul . If he had remained one for his livelihood, he could still be alive today’. In other words it was the fame that killed him just as much as the drink.

This is a poem that Dominic O’Riordan wrote about Brendan

I remember him riding the air

A mixture of Puck and the goban Saor

With ruffled shirt and hair astray

In Grafton Street on a gusty day

Respectable gents and maiden aunts

Held tightly in their briefs and pants

Lest their bowels might be disturbed

Hearing genius roaring by

Language of love and obscenity

The words he uttered were very simple

“Your mind is as small as a knacker’s thimble,

Scarperer,joxer, fluther, brother

Hold your hour and have another”