HAPPY NEW YEAR
Ah fuck it
I think I’m gonna’ be sick in a bucket
Of apple vomit
Which I may send to Wallace and Grommet.
Happy new year all!
HAPPY NEW YEAR
Ah fuck it
I think I’m gonna’ be sick in a bucket
Of apple vomit
Which I may send to Wallace and Grommet.
Happy new year all!

GIGGS BOSUN COLLIDER
Yeah, I met Giggs
He was a bosun wasn’t he?
Plying the East India route
Yeah, that’s right
Rebooting the particle smasher he was.
I saw him doing it once;
Not much scope for that kind of malarkey out here
I thought at the time.
And what did the rebooting do?
What did it find?
Nothing that I could see.
Maybe because there was something else on his mind
And now they call it the Bosun Giggs Collider.
Large Haddock Collider, I think you will find
So what happened to Giggs?
Giggs? Oh he disappeared somewhere in the South China Seas.
Now he tells me! Do you mind if I sing?
If I die tonight just bury me
In my favourite yellow patent leather shoes
With a mummified cat and a cone-like hat
‘Cos I’ve got the Giggs Bosun Blues…


MR PIANO MAN
Perhaps I walked across the water,
(or was it on it?) as they say.
My wet suit bereft of the labels
So designer-desirable today.
My voice remains conspicuous by its absence;
My nationality a puzzle too.
Do I look like someone
Who is familiar to you?
Maybe I am just a con man
Who got tired of walking.
Please, can I have a piano?
So my fingers can do the talking.

FAMOUS FOR BEING FAT
I’m famous for being fat.
(Well, I used to weigh thirty five stone)
I realized that I was different
When a taxi driver
Suggested I hire a crane
To get myself home.
Fame comes packaged in every shape and size
I can’t walk down the street now
Without being recognized
People stopping to stare,
There goes that…that
Look…there!
But fame has its downside, let me tell you
And not least the ‘reality’ the TV men want to sell you
Up at the crack, feeding the camera till noon
Then a trip to the trick-cyclist
(And meet others who howl at the moon)
It’s all in the mind apparently, this eating lark
Then off for more fun with the TV men
Nibbling grass in the park.
Alas, now I’m smaller, the adulation has gone
Not half the man he was… All skin and bone
Nineteen stone men are ten a penny, it seems
When it comes to newsworthiness on our TV screens.
But if you weighed half a ton, said the last one,
We could make you bigger than Andy Fordham!

HOODS
Do the clothes I wear
Make you feel scared?
Hoods and baseball caps
Are for chaps
With no good on their minds
Aren’t they?
Well, so they say…
But I remember when
Drainpipe trousers sent
Shivers through the establishment
And winklepickers were for kickers
As mods and rockers
Put the mockers
On each other
And the flick knives came out
As brother fought brother
When bovver boots were prized by skinheads
(just as leather jackets were by Teds)
And flares worn wider than a mile
Put an expensive cut to the latest style
And then there was Flower power
and minis and midis and maxis
And Maharajas and Yogis and baldys with bells
And Mohicans sometimes appearing in taxis
So, when you look around
There’s little change on the old merry-go-round
‘Cos nothing’s new but it stays the same
It’s boys and girls playing a different game
That’s all!
the English lyrics to SWEET COMERAGH
My heartfelt blessings
On your valleys and mountains
Sweet Comeragh
And on your cheeful people
So naturally kind
Sweet Comeragh
On your shining streams
And your leafy woodlands
Your honeyed slopes
And your gleaming meadows
My heart fills with love
For all of them surely
Sweet Comeragh
Your rugged peaks
Are a handsome sight
Sweet Comeragh
As the rising sun
Sets them aflame
Sweet Comeragh
Cliffs and steep slopes
In every direction
Like a satin weave
From a magic loom
As the dew falls
From the heavens high
Sweet Comeragh
I was a while away
From your beauty
Sweet Comeragh
Slaving so hard
In a foreign land
Sweet Comeragh
Base work it was
Just making a living
Far from my home
‘Neath the shade of your mountains
So I came back to you
The flower of the Déise
Sweet Comeragh

I will live in Ringsend
With a red-headed whore,
And the fan-light gone in
Where it lights the hall-door;
And listen each night
For her querulous shout,
As at last she streels in
And the pubs empty out.
To soothe that wild breast
With my old-fangled songs,
Till she feels it redressed
From inordinate wrongs,
Imagined, outrageous,
Preposterous wrongs,
Till peace at last comes,
Shall be all I will do,
Where the little lamp blooms
Like a rose in the stew;
And up the back-garden
The sound comes to me
Of the lapsing, unsoilable,
Whispering sea.

MY CAR NOW TALKS TO ME
Hello
Goodbye
Raising the lights like a stage curtain
Playing little movies
Serenading me with melodies
The welcome – farewell experience
They call it
“An emotionally resonant experience”
And that digital note of appreciation
“Thank you for driving a hybrid”
As if it was something…well
Unconnected with this thing on four wheels.
And those door handles
Illuminating when they sense my presence
The needles on the instruments
Snapping to attention as I open the door
There’s a welcoming theme
Part Hollywood soundtrack
Part plane swoosh
And that puddle lamp!
A welcome mat of light.
My car is a robot I think
With a personality not just in its body
But also in its behaviour.
“How can I help you?”
It asks now
As I prepare for take-off.
I really feel like telling it
To shut the fuck up
But I don’t want to hurt its feelings.
An entertainment by Tom O’Brien and Tom Power WARTS AN’ ALL is a combination of fact and fiction. But what is fact and what is fiction – that is the question. There are tall tales and fairtytales, wanders up hills and down dales, and a song or a poem when all else fails.
Is it a play? Possibly. Is it fiction? Probably. Is it fact? Indubitably. Well, some of it!

NOW AVAILABLE ON AMAZON AS A PAPERBACK AND EBOOK

extract from Lucretius’ poem ON THE NATURE OF THINGS
And yet it is hard to believe that anything
in nature could stand revealed as solid matter.
The lightning of heaven goes through the walls of houses,
like shouts and speech; iron glows white in fire;
red-hot rocks are shattered by savage steam;
hard gold is softened and melted down by heat;
chilly brass, defeated by heat, turns liquid;
heat seeps through silver, so does piercing cold;
by custom raising the cup, we feel them both
as water is poured in, drop by drop, above.