PRISONER

 

 

 

PRISONER

The ticking clock is silent

Articulating emptiness

Mainspring not busted

Just not required.

Time gulling it over the horizon

Speckled in the distance

The residue left behind

Not worth a light

 

Over some visionary hill

Virtual reality is real enough

More and more scream the worms

Turning every which way but one

More length, more depth

More leisure, more pleasure

More love, more life

Bur mostly more coin

 

Nothing prepares us for this

The hand that held the answers

Trembling now before new idols

Knowledge bootless as experience

New waves have old beginnings

But tired dogs own no snap

It’s the rut we’re stuck in, see?

Slow going forward but no going back

 

Sitting by time’s window

Waiting for the daily rebuff

To come winging by

Sifting little crumbs of comfort

From the embers

Screaming all the way……

 

CRICKLEWOOD COWBOYS

READ ALL ABOUT THEM!

Terry, Chris and Larry are three Irish friends in the London of the 1960’s with little in common except their liking for ‘dishonest work’. Chris is a pickpocket in the West End; the time of the first race determines what time Larry gets out of bed; Terry’s aversion to manual labour is so strong that he says ‘I’d rather starve than work on the fucking buildings’. Then there is Bannaher, the big man, the ‘subby’, who is publicising his new pub venture by having a friend of theirs temporarily buried alive in the pub’s back garden. ‘A charity lie-in’, he calls it. Into this mix comes Tessa, blonde, English and ‘out to screw the world before it screws me’. Before she is finished all their lives have changed irrevocably.
It’s a tale of greed and deception that trawls the pubs and building sites of Kilburn and Cricklewood, and the mean street of Limerick.

A LOAF OF BREAD AND A CAN OF SPECIAL BREW

 

 

A LOAF OF BREAD AND A CAN OF SPECIAL BREW

 He sat on a seafront  pew
A loaf of bread and a can of Special Brew
By his side
Speaking to someone who wasn’t there.
Though these day you can never tell
Whether they are or not;
He may have had a mobile phone in his ear.
Then he spoke to me;
What are you fucking looking at, blue?
Yeah, I thought, that figures

And a happy New Year to you too!                                                                                                    

THE SHINY RED HONDA

My books on Amazon

https://www.amazon.co.uk/Tom-OBrien/e/B0034OIGOQ/ref=sr_tc_2_0?qid=1388083522&sr=1-2-ent

 

available in p/back and ebook on Amazon

 

THE SHINY RED HONDA is about growing up in rural Ireland in the 1950/60’s, a time of great rural upheaval and change. The creamery, the horse and cart, cross-road dancing, travelling shows, the threshing machine…all their days were numbered. Going to school across the Mass-Path, thinning turnips for a shilling a drill, watching Audie Murphy and Randolph Scott in films that broke down half-way through every reel, being an Altar boy and ‘fiddling’ the church collection boxes, learning to dance with a broomstick as a partner…rare memories of an age of innocence. Who flattened Fr. Sinnott in the sacristy? What was the initiation ceremony at Flahavans Mills? Who was the trombone player in the band who couldn’t play a note? It is also about dreams and aspirations: a young man’s entry into the world of work, and his brief flirtation with the music biz. A story told honestly and uncompromisingly. As it was – warts and all.

Amazon review
katyann
5.0 out of 5 starsLaughter and tears on Tom’s journey from boy to man
5 September 2013Published on Amazon.com
Verified Purchase
A wonderful coming-of-age story set in the Ireland of the late fifties and early sixties,The Shiny Red Honda evokes images of a more innocent time, when life was lived at a more gentle pace and people were stoical in the face of hardship, taking the bad with the good as simply part of life’s cycle. Tom O’Brien’s writing is stark and vivid and straight to the point, but always tempered with a wry humour, never taking himself too seriously. We travel with him through his upbringing on a small-holding in County Waterford, sometimes hard, but mostly carefree, and then his emergence from fumbling adolescent to a young working man who played guitar in his spare time in the newly emerging pop/rock band scene of that era. Tom describes everything so beautifully that I found myself re-reading some pages, just for the sheer joy of it. This is one of the best autobiographical books I’ve read in ages, if not THE best, and I can’t wait to read more of Tom O’Brien’s work.

 

THE HERMIT LACKENDARA & THE COMERAGHS.

gorgeousgael's avatarMy Writing Life

LACKENDARA by Tom O’Brien

Ah Lackendara
You heard the voices too
At Passchendaele where you
Cowered as the big guns
Bombarded your world to silence
Blasted your thoughts to kingdom come
And left you forlorn
On that ragged outcrop
In the foothills of the Comeraghs
The fox and the curlew your only companions
The gurgling Mahon Falls
All there was to quench your thirst.
For thirty years you trod those hills
Taking little notice
Of ordinary life around you going on
Your presence on the mountain a constant reminder
Of mans’ inhumanity to man.

Jim Fitzgerald, ‘Lackendara’, with an unknown female.

Jim fitzgerald, known as ‘Lackendara’, lived halfway up the Comeragh Mountains for over forty years. His home was a cave of sorts, with a roof comprised of bits of driftwood, stones and soil, and an entrance concealed by strips of hanging grain bags. A veteran of WW1, where he was said…

View original post 298 more words

IF ONLY WE HAD TALLER BEEN

IF ONLY WE HAD TALLER BEEN by Ray Bradbury

O, Thomas, will a Race one day stand really tall
Across the Void, across the Universe and all?
And, measure out with rocket fire,
At last put Adam’s finger forth
As on the Sistine Ceiling,
And God’s great hand come down the other way
To measure Man and find him Good,
And Gift him with Forever’s Day?
I work for that.
Short man. Large dream. I send my rockets forth
between my ears,
Hoping an inch of Will is worth a pound of years.
Aching to hear a voice cry back along the universal Mall:
We’ve reached Alpha Centauri!
We’re tall, O God, we’re tall!

A, MOTHER IRELAND YOU’RE STILL REARING THEM!

I seem to have lost my voice in this video. Ah well, small mercies!

TRUE ENEMY

002

 

TRUE ENEMY

Those whom the Gods love mostly die young
For time is the true enemy of everyone
The beauty that time cherishes
Is the beauty that soon perishes
And when time and beauty meet
It is always high noon on the street
Something has got to give;
Beauty dies so that others may live
But all dawns prove false dawns
And the payback is still to come
For time catches up with us all eventually
And not just the unlucky some.

 

WHO IS THAT MAN?

 

 

WHO IS THAT MAN?

 I feel like screaming

I feel like kicking something

I feel like my head is…exploding.

You  are…your name is…

Ah…David

Yes…David…

David?

It’s there

Buried in that sea of viscosity

That I am scrabbling about in

I can see it

It’s almost on the surface now…

On the tip of my tongue…

No…it’s gone again.

And I am standing in this room…

Looking for…

What am I looking for?

It all reminds me of my grandfather, who,

In his last tortured months,

Was convinced that somebody was forever following him about.

Then one day he spotted his own reflection in a plate glass shop window

There!, he shouted,

There he is!

Who is that man?

TALES FROM THE BLACK LION

 

TALES FROM THE BLACK LION

By

Tom O’Brien

 

You know when you’re sitting in the bar having a quiet pint, wanting nothing more than to be left alone, and yer man walks in?

The big man, the hard case. Tattoos on his forehead, a bird on his arm he’s trying to impress so much he’s floating 18 inches off the ground.

He’s John Wayne in hush puppies, the chest stuck out and the belly sucked in, eyes staring down the bar like it’s high noon in Dodge City and not five past nine on a damp Friday night in Walthamstow

The message is clear: ‘This is my woman, stay away from her or there’ll be trouble.’

I’m the nearest so the message is clearest to me. Not that I’m bothered. The war-paint is still wet, and the ‘made in Romford’ tag is still attached to her ear – not my type by a long shot!

Ground rules established, he orders a pint for himself and a pint for her and they park themselves on stools adjacent to mine. Half his drink disappears in one slug and they begin to talk.

Well, he does. Non-stop. About trucks. Great big trucks. Enormous trucks. Bloody boring trucks. At first I think Scania is his wife and I cast covert glances at his companion to see how she is taking it. Never talk in reverential terms about another woman to the woman you are with – I learned that early in life.

My bar-stool neighbour obviously hasn’t grasped this, and I can see that while he may be having an orgasm about his beloved Scania, his companion isn’t.

When I eventually twig who (or what) Scania is I realise it’s not antipathy towards another female that’s troubling her, but boredom. He’s boring the pants off her.

She is clearly trying to maintain an interest, nodding and smiling at suitable intervals, but when his gaze is averted I can see the look in her eyes. Boring, the message says, this is b-o-r-i-n-g.

She wants to dance, she wants to party, you can see it in her body language, and all this clot want to do is talk about trucks.

While all this is going on Dick comes in. I say Dick, but he could be Tom or Harry for all I know. Everyone calls him Dick for reasons…well, let’s say they have to do with a certain part of his anatomy and his tight-fitting jeans.

Now, Dick like to stand where the light is ‘kind’ to him, which – surprise surprise – isn’t a million miles from where our truck-driving man is holding court.

Most of the local talent know about Dick and pay little heed to him, but females who haven’t seen him before do find their eyes irresistibly drawn to him. I can see this one is no exception.

Busily explaining the finer points of jack-knifing, trucker-man doesn’t notice her switch in allegiance for a while, but the change in his voice, like an engine on full revs running out of gas, soon tells its tale. He stutters to a halt and stares at what she is staring.

‘When you’ve finished binning his gear stick maybe you’d care to listen to me for a while’, he says to her, softly though, like he was taunting her. ‘I mean it’s what you’re paid for, innit?’ Then he turns to Dick. ‘I’d get that lanced if I were you, mate. You can get it done on the National Health I believe’.

Bang goes my hopes of a quiet pint, I think, picking up my drink and moving back a few paces. Out of the corner of my eye I see the guvner stick his head around the corner and just as quickly withdraw it.

She starts first, the Romford doll, pouring the remains of her pint over truck-man’s head, screeching: ‘Ere, ‘ave that on me!’

She turns to the now-gaping bar-counter audience and flicks her hair back. ‘Listen to him for another minute goin’ on about trucks? No thanks. I’d rather sleep in a ditch.’

The she was gone, the only trace she had existed at all the sound of her high heels on the pavement outside.

Our collective sighs had barely subsided when Dick sticks out his chest and fixes his eyes on the now-dripping stranger.

Dick does weight-training and bouncing in his spare time…the types that’s big in muscle power but small in the brain department, if you get what I mean…and now he’s flexing those muscles and beckoning his antagonist towards him.

‘Come on, let’s see how tough you are. I bet I can handle you with one hand behind my back’.

He doesn’t get a chance to get either hand in that position because truck-man is off his stool in a flash and launches a mighty boot in the direction of his groin. Dick is still falling when he is out the door and legging it after his girl.
Several of us help Dick to his feet and he staggers off to the jacks to recover. Now that things have quietened down the guvner emerges and carries out an inspection.

Satisfied that nothing has been broken, he stoops down and picks up something from the floor. ‘Anyone fancy a banana?’ he asks casually.

That’s the sort of a place my local is.

 

end