FATHER AND SON

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FATHER AND SON

My mum says you’re my dad
The words ripped through me
Like a chainsaw through soft timber
Then scattered like spindrift
Along the sea wall

Lean young people glistened in the sun
While my heart pounded
And the young boy,
With shoulders rounded,
Hurried along to keep up with his mum

It was true; I was his father,
Of a sort.
Ten years ago I was for sure;
Ten lifetimes since I
Had slammed the goodbye door.

TIME ON MY HANDS

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TIME ON MY HANDS

Time, so they tell me,
Is a precious commodity;
Nowadays I own lots of it
(ever since the steelyard gates clanged shut)
I wonder how much a few weeks of it
Would fetch at Christies?

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WINTERTIME

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WINTERTIME
The Kilamanjaros never looked so bright
As the Comeraghs do, swaddled in white
Their new overcoats, bespoke overnight

BRENDAN BEHAN’S WOMEN…4**** REVIEW

20140702_193350THE IRISH POST GIVES US 4****!!

http://www.irishpost.co.uk/entertainment/theatre-review-brendan-behans-women

KEEP OFF THE GRASS

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KEEP OFF THE GRASS
Footprints on sand are washed clean
Nature’s way
Likewise, those on grass
Never intend to stay
The fox, the rabbit,
Every creature of the wild
Over hill and dale can pass
Only humans heed the warning signs
KEEP OFF THE GRASS!

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THE EYE HAS IT

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Researchers at the University of St Andrews have found that it is possible to see in 3D with just one eye.

Dr Dhanraj Vishwanath, a psychologist at the University says that it is possible to experience vivid 3D vision simply by looking through a small hole.

The research, published by Psychological Science, has implications for people who have just one eye or difficulties with double-eye vision.

The study also has wide implications for 3D technology, because it suggests that there are other (possibly cheaper) methods by which the 3D experience can be created.

Current thinking is that the two visual images (one from each eye), when combined in the visual cortex of the brain, produce our sense of depth that produces the ‘special’ 3D effect.

The St Andrews study suggests that, in fact, both eyes are not necessary for this ‘3D experience’.

Dr Vishwanath said, “We have demonstrated experimentally, for the first time, that the same ‘special way’ in which depth is experienced in 3D movies can also be experienced by looking at a normal picture with one eye viewing through a small aperture (circular hole).”

“While this effect has been known for a long time, it is usually dismissed. Now we have shown that it is in fact real, and the perceptual results are exactly like stereoscopic 3D, the kind seen in 3D movies. Based on this finding, we have provided a new hypothesis of what the actual cause of the 3D experience might be.”

Since the invention of the stereoscope (the technology behind 3D movies) in 1838, the conventional assumption is that this added feeling of depth can only occur when the real world or a 3D stereoscopic image is viewed with 2 eyes.
Dr Vishwanath explained, “Most people understand what 3D is – for example, when watching a 3D movie with special goggles, objects appear more vividly three-dimensional, they seem real, and they look like you could reach out and touch them. There is also a sense of real space. This is also the way depth, space and 3D objects are experienced when the real world is viewed with two eyes by people who have ‘normal’ binocular (2 eye) vision.”

The St Andrews’ findings suggest that in fact “seeing in 3D” is not something that can only be experienced by people with two fully working eyes. Instead, the researchers say that in principle it is possible for those with only one eye, or have problems with their 2-eye vision to experience the ‘compelling’ effect.

Dr Vishwanath continued, “Many of these people don’t know what it means ‘to see in 3D’ because they have never experienced it. Our findings and preliminary results suggest that our method could be used to allow people with misaligned eyes (strabismics) to experience what it is like to actually see in 3D.”

The study also has wide implications for industry – based on his theory, Dr Vishwanath suggests that the real 3D experience can be induced simply by increasing the resolution (for example using ultra-high definition (4K) TVs). Such methods could also help avoid some of the problems associated with stereoscopic 3D such as fatigue, nausea and headaches.
Hmmm…very interesting.

THE VIEW FROM MY WINDOW

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THE VIEW FROM MY WINDOW
Old women with polished perms on fat heads
Men tinkering with diseased cars
Dogs taking their owners to the park,
Where they converse with friends
And crap indiscriminately.
The postman, the gasman, the milkman,
Two door-to-door leaflet saleswomen,
A stray cat or two,
And twenty five chimney-stack pigeons.
Then there are all those aerials,
Like one-legged storks, looking down
On the patched-up pavements.

Where have all the front gates
Absconded to, I wonder.
Frightened away by all the leering
For Sale signs
Constantly peering over their shoulders?

I guess that must be it.

THE CROWS KNOW YOUR ADDRESS

          

THE CROWS KNOW YOUR ADDRESS
I could murder a crow
I know where they go
When the sun goes down.
They cling to big trees
And snooze like dead bees
And sometimes they fly over town.

Some have MA’s and others PHD’s
Some strut like celebrities
And lecture others
Less scholarly in looks.
Some dance like dervishes
And read the most obscene books.

They never forget a face
Whether animal, or human race
And they hold grudges
With deadly intent
Upset them just slightly
And their anger they will vent.

When the crow revolution comes;
Oh yes, they will rise up:
Their cawing is talking
In crow parlance
And their hopping is really a war dance.
If you have ever fucked with a crow,
Even just once, a decade ago,
They will remember it was you
And their crow offspring too.
So farmers don’t ever shoot crows
‘Cos they all know what to do

I could murder a crow
But crows are like elephants
They never forget
Though they haven’t paid me back yet
I’ve just shot one as it goes;
If I murder another
Will that be a murder of crows?

 

see my books available @  http://www.amazon.co.uk/Tom-OBrien/e/B0034OIGOQ/ref=sr_tc_2_0?qid=1388083522&sr=1-2-ent

 

A POLITE ENQUIRY

A POLITE ENQUIRY
Tell me Mr White Man,
You turn blue with cold
Green with envy
Yellow with fear
Red with embarrassment
And you turn brown in the sun,
How come we call you White Man?

THE MEANING OF LIFE

 

Could somebody explain it to me, please!

THE MEANING OF LIFE

At the forefront of knowledge

Is the edge of uncertainty

Where reality is really

Only a projection of information

At the rim of the universe.

There, black holes loiter with intent.

They seek to break the sacred laws of physics

Which, as everyone knows, state

That information cannot be destroyed.

This is the point of no return.

All the information that ever existed is here

And black holes are held at bay – for now

What is inside is not inside

And what is outside is not outside.

We are merely holographic projections

Rendered flesh at this event horizon.

 

Asimov, of course, knew this

Way back when computers

Were not ten-a-penny.

He knew the truth, or guessed

That the universe is one vast computer itself

And we are merely its slavish programmers.

Though not living out purposeless existences,

As some believe,

But proving that life does have some meaning:

We are the way for the universe to know itself