He lay in the box quite comfortably

His waxen face staring into infinity

Looking much better in death

Than he ever had in life.

It was all that I could do to peer

At him through slatted fingers

From the back of the room;

The ever-present smell of tanning

And leather aprons absent now;

More than forty seeping years of it

Scrubbed away one last time

His moped – a natural progression from pedal power

When his legs gave out –

Lay discarded in the coal shed

At the back of the house.

(No driver you see, and mother still had the shopping to do)

He dug turf, cut down young Sally trees,

And turned over his bit of stony ground endlessly.

In summer he clipped sheep slowly

With a machine bought by post from Clerys,

Carefully stowing it away in its box

When the shearing was done.

The clay pipes he sucked on – their broken stems

Held together with blood pricked from his thumb –

Were redundant now

And his three bottles of Sunday-night Guinness

Would stand corked under the counter evermore.

Who would dance half-sets with her now?

My mother enquired of no one in particular,

The smoky saloon bar stunned that the music had felled him

Knocked him to the floor in the middle of the tune.

He lay there with a smile on his face

Knowing it was over

And I never got to know what was on his mind.

We put him in the ground

And sadness trickled through me

Like a handful of sand through my fingers.

Later, everyone stood around

Eating sparse ham sandwiches

While I stood there, dry-eyed;

He was a great man they all said

Slapping the back of my overcoat;

Sure he gave forty years to that tannery

And what did it give him?

I wanted to shout to the throng;

A gold watch and a tin tray

And both had his name spelled wrong


What do you say to bodies that talk

As you pass them by?

You can’t just say Hi!

Pursed lips and straight-ahead eyes

Are somewhat at odds with surly thighs;

Nice! You want to cry

Look at me!  They silently scream

Aren’t I the cat’s whiskers,

The impossible dream?

And then they open their mouths

And it’s GOODBYE!


God in his heaven never bettered this;

Never hit perfection more square-on.

Rugged cliffs lip the strand,

Opening to fields behind,

The Atlantic, white-layered,

Sweeping into the bay,

Its hurry washed-out

By the tug of sand, gently rising,

Before it.

A tangle of marram crowns the dunes,

Tousled, like windswept hair;

Whilst, on the slopes nearby,

A line of white cottages

Vie for prominence with the old church

Yet, it is the call of the waves

That steals most of the aces;

Those riderless white horses

Sweeping relentlessly in,

With their whispering lisps;

‘I love you, please don’t go,

I love you please don’t go’

And I, watching the ebb-tide dragging them back,

Silently mouthing in their wake;

‘She loves me, she loves me not,

She loves me, she loves me not…’


Hey, conveyor stop your motion

You tread on ice and leave an ocean

Once you lay in slumber deep

What was it that broke your sleep?

Standing on this moving shoal

I still can’t see my aging soul

Where you come from none can tell

Where you’re bound for must be hell

Did you, were you, will you, can you?

We in darkness bleed upon you

Babylon has come and gone

And still your engine thunders on


book available on Amazon, titled 67 PLUS

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