PLAY ON

PLAY ON

Ensconced here in contemplation

Your presence overwhelms me

Arms outstretched, yet never chiding

Even knowing my ways were wrong

Burning both ends speeds up damnation

I can see that now;

Lust living in the wings

While the songs sang themselves

And courage dredged from the bottle

While the melody lingered on

Music was my life

But you changed it all;

Your song will still be nectar, Lord

When all this is gone…

ADVICE TO A SON – by Ernest Hemingway

Hemingway published around 20 poems in his lifetime – which is about 19 more than I expected!

Never trust a white man,
Never kill a Jew,
Never sign a contract,
Never rent a pew.
Don’t enlist in armies;
Nor marry many wives;
Never write for magazines;
Never scratch your hives.
Always put paper on the seat,
Don’t believe in wars,
Keep yourself both clean and neat,
Never marry whores.
Never pay a blackmailer,
Never go to law,
Never trust a publisher,
Or you’ll sleep on straw.
All your friends will leave you
All your friends will die
So lead a clean and wholesome life
And join them in the sky.

HOW TIME FLIES

This was the first performance of my first play. How time flies!

HOW TIME FLIES!

HOW TIME FLIES!

LOOKING FOR GOOGLE

LOOKING FOR GOOGLE

Driverless cars

Headless chickens

Oops! mind that blind…

Oh, what the Dickens!

The lingua franca

In Google we trust,

In God if we must.

Look, no hands!

It’s not a boast

It’s a statement of fact,

I don’t drive, it’s all an act.

The phone on my table

Speaks in eighteen different languages if tasked

And can answer questions

(Sometimes before they are asked).

Now they have sent ten thousand

Helium balloons into the stratosphere

Seeking all the disconnected;

Wi-Fi for all – and soon

They could – in theory – I guess

Set up shop nowadays on the moon

This is their ‘toothbrush’ test;

“Focus on the user and all else follows”

Culture and success go hand in  hand;

If you don’t believe your own slogan

You’re already in no-mans land.

CUPID STUNTS

 

CUPID STUNTS

I see that I am at number 1,205,646

In the Amazon/Kindle best-seller list

Again

Last week I was at number 650,249

And the previous week 233,184

Or was that the week before?

I don’t think I have got into the top 100

Yet

I like to see the wild fluctuations in the list

Thousands of points variation

Mean lots of sales, innit?

Though I must confess

It puzzles me a little bit

Because according to Amazon’s

Own – very reliable – sales chart

I sold no books at all last week

And only one all last month

So Amazon/Kindle

Here’s my conclusion

You must be one cupid stunt

PARTING

PARTING

The sun also rises over concrete

Over this puff-adder sky

And the pricked-up chimneys

Looking like piss-horns in the stark morning

There are no shadows yet

On this marbled plain

So tender in years

But so sparing with love

I shiver at the bus stop

Admiring this proliferation of granite;

So cold, so hard,

So like you….

THE MORONIC INFERNO

THE MORONIC INFERNO

Oh yes,

The moronic inferno

Burns brightly these days

And nights

Almost as bright in fact

As the ever-glowing Northern Lights.

And the morons dance round their blazing fires

Hurtling insults to their hearts desires

Pontificating cluelessly,

About the economy – stupid! – and their messy

Sexual habits

With all the morals of a world of rutting rabbits,

And their institutionalised racism

Which they deliver verbatim –

I am not racist BUT…

What if the shoe was on the other foot?

MIRIAM – by Truman Capote

Miriam ~ A Classic American Short Story by Truman Capote

For several years, Mrs. H. T. Miller lived alone in a pleasant apartment (two rooms with kitchenette) in a remodeled brownstone near the East River. She was a widow: Mr. H. T. Miller had left a reasonable amount of insurance. Her interests were narrow, she had no friends to speak of, and she rarely journeyed farther than the corner grocery. The other people in the house never seemed to notice her: her clothes were matter-of-fact, her hair iron-gray, clipped and casually waved; she did not use cosmetics, her features were plain and inconspicuous, and on her last birthday she was sixty-one. Her activities were seldom spontaneous: she kept the two rooms immaculate, smoked an occasional cigarette, prepared her own meals and tended a canary.

Then she met Miriam. It was snowing that night. Mrs. Miller had finished drying the supper dishes and was thumbing through an afternoon paper when she saw an advertisement of a picture playing at a neighborhood theatre. The title sounded good, so she struggled into her beaver coat, laced her galoshes and left the apartment, leaving one light burning in the foyer: she found nothing more disturbing than a sensation of darkness.

The snow was fine, falling gently, not yet making an impression on the pavement. The wind from the river cut only at street crossings. Mrs. Miller hurried, her head bowed, oblivious as a mole burrowing a blind path. She stopped at a drugstore and bought a package of peppermints.

A long line stretched in front of the box office; she took her place at the end. There would be (a tired voice groaned) a short wait for all seats. Mrs. Miller rummaged in her leather handbag till she collected exactly the correct change for admission. The line seemed to be taking its own time and, looking around for some distractions, she suddenly became conscious of a little girl standing under the edge of the marquee.

Her hair was the longest and strangest Mrs. Miller had ever seen: absolutely silver-white, like an albino’s. It flowed waist-length in smooth, loose lines. She was thin and fragilely constructed. There was a simple, special elegance in the way she stood with her thumbs in the pockets of a tailored plum-velvet coat.

Mrs. Miller felt oddly excited, and when the little girl glanced toward her, she smiled warmly. The little girl walked over and said, “Would you care to do me a favor?”

“I’d be glad to if I can,” said Mrs. Miller.

“Oh, it’s quite easy. I merely want you to buy a ticket for me; they won’t let me in otherwise. Here, I have the money.” And gracefully she handed Mrs. Miller two dimes and a nickel.

They went over to the theatre together. An usherette directed them to a lounge; in twenty minutes the picture would be over.

“I feel just like a genuine criminal,” said Mrs. Miller gaily, as she sat down. “I mean that sort of thing’s against the law, isn’t it? I do hope I haven’t done the wrong thing. You mother knows where you are, dear? I mean she does, doesn’t she?

The little girl said nothing. She unbuttoned her coat and folded it across her lap. Her dress underneath was prim and dark blue. A gold chain dangled about her neck, and her fingers, sensitive and musical looking, toyed with it. Examining her more attentively, Mrs. Miller decided the truly distinctive feature was not her hair, but her eyes; they were hazel, steady, lacking any childlike quality whatsoever and, because of their size, seemed to consume her small face.

Mrs. Miller offered a peppermint. “What’s your name, dear?”

“Miriam,” she said, as though, in some curious way, it were information already familiar.

“Why, isn’t that funny—my name’s Miriam, too. And it’s not a terribly common name either. Now, don’t tell me your last name’s Miller!”

“Just Miriam.”

“But isn’t that funny?”

“Moderately,” said Miriam, and rolled a peppermint on her tongue.

Mrs. Miller flushed and shifted uncomfortably. “You have such a large vocabulary for such a young girl?”

“Do I?”

“Well, yes,” said Mrs. Miller, hastily changing the topic to: “Do you like the movies?”

“I really wouldn’t know,” said Miriam. “I’ve never been before.”

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NEW WAVES

 

NEW WAVES

To hear someone say;

I worked my fingers to the bone

So someone sharper could take my home,

Raises few eyebrows these days

Work isn’t the toad

Work is the poor man’s load

Piled up all his life ahead

Never relenting until he’s finally dead

You could of course ignore it;

No mortgage, no gadgets that comfort

No requirement to pay-as-you-earn it;

A kind of existence

LONDON IS EATING ITSELF

LONDON IS EATING ITSELF

London is to wealth what

The jungle is to the orang-utan ;

Its natural habitat,

But it is feeding on its poor,

Who dare not live there anymore.

The cranes swing crazily

Building stepping-stones

Even nearer the stars

While oligarchs look on hungrily

Aboard their super turbo-charged yachts and cars.

The skyline plundered for profit

Daily now it seems

The dark star of the economy

Sucking in resources and people, even Queens.

Now even modest railway arches are upgraded

Out with the old in with the new

Shops and delis, pretentious and expensive

Now ‘prettify’ the view.

In a culture that is unstoppably,

Entrepreneurially driven.

Soon there will be corridors of steel and glass

From Limehouse to Kings Cross;

Miles of safety-deposit boxes in the sky

And nobody to occupy them –

Certainly not the like of you and I.

At night it becomes a wall of black

Punctuated by an occasional square of illumination;

In the boxes nobody is at home

And won’t be for a generation.

Then there are all the iceberg houses

Subterranean monstrosities

That dwarf the pygmy shacks

That sit a-top of them.

And their underground swimming pools,

Tennis courts, and cinemas

As large as  dance halls can be seen

Where London isn’t aiming for the stars

It is becoming a subterranean city

With nothing but an empty shell in between.