LIFE’S LOST SOMETHING-OR-OTHER

RUMINATIONS

The world is full of poets
And most of them know it
Rhyming couplets with fucklets
Never thinking ‘dark chocolates’
Most of them over some visionary hill
Buying notebooks they will never fill
Looking for loves lost something-or-other
Or wondering why they never hated their mother.
Oh yes, a poet’s life is thankless
Almost as bad as a life lived wankless

THE KISS by Stephen Edgar

Stephen Edgar has always been a favourite poet of mine. Born in Sydney in 1951 he spent a number of years in London, forming a friendship with fellow Australian poet Clive James, before returning home. This is a fine poem, as is Man In The Moon.

THE KISS

How can she do this now that it’s all changed,
Present her lips to kiss
As though that known face were the same as this
From which you’ve been estranged?
Of course it is. Here, now? Or then and there?
How can she sit down in her cloud of hair

And watch you as though you were someone else?
You are, of course, to her.
You were this rendezvous’s commissioner
And nobody compels
Your self-distressed attendance here but you.
So watch her do as only she can do.

She lifts her left hand to her left earlobe
And tugs the earring, slides
The hook half out and rubs at it and glides
It in, as its purple globe
Swings back and forth to tantalize your sight.
Soon she will do the same thing with the right.

A silver bracelet rides along one arm
Or settles at the wrist,
And lest adornment should seem prejudiced
The other has its charm
As well, made somehow perfect by the dent
That mars the curve of its encirclement.

And those two combs holding her hair in place,
Two combs of tortoiseshell—
And when she took them out, oh how it fell
At night around her face,
Which she would lift to you and shut her eyes,
That beauty come to seem beauty’s disguise,

And whether by desire or candlelight,
Her skin took on a glow,
An alabaster lucency, and so
She leant back to invite
Your open-mouthed assent. And you would hold
That pose like two Klimt lovers cloaked in gold.

And that first night you slid the purple shift
Over her shoulders and
Peeled gently downwards, leaving her to stand
In Aphrodite’s gift,
And sinking with her garment to the floor,
Made moist the shadowed fold you knelt before.

How can she do this now that you’re estranged,
Stand in her cloud of hair
As though she were the same, though well aware
That everything is changed
(Of course she is), presenting for your kiss
The mouth that was the mouth that is not this.

THE BEAR NECESSITIES

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THE BEAR NECESSITIES
‘What kind of animal are you then?’, she asked me.
‘Well’, I replied
‘I do not growl like a bear, I roar like a lion’.
‘Ah, one of them, are you?’
‘No actually, I’m more of a bear to be honest’.
‘Oh, they’re fearsome creatures, they are’.
‘Not really’, I said ‘once you get to know them.
For instance, take me
The other day, whilst in my bear mode –
Brown bear, I might add –
I took a notion to frighten some motorists.
I spotted a likely candidate and stepped from
Behind my tree hiding-place
And plonked myself in the middle of the road.
Then a motorist stopped and began berating me’,
You’re an ugly brown bear, you should be ashamed;
Trying to frighten people

Get out of my way. Don’t you know who I am?
I didn’t, but he told me anyway.
I am Ernest Hemingway.

RUMINATIONS

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RUMINATIONS

The world is full of poets
And most of them know it
Rhyming couplets with fucklets
Never thinking ‘dark chocolates’
Most of them over some visionary hill
Buying notebooks they will never fill
Looking for loves lost something-or-other
Or wondering why they never hated their mother.
Oh yes, a poet’s life is thankless
Almost as bad as a life lived wankless