RAINY NIGHTS IN SOHO

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RAINY NIGHTS IN SOHO
See all the down-and-out lickers and fuckers
Down the Embankment they tumble
Unable any longer to bear much reality
Too much self-knowledge
And time spent trotting
Between the Tate and the National
Or one of their endless reading groups
Believing they had
A story to tell
If only things had worked out,
If only the monkey had hit the right keys.
Hush! if you listen carefully
You can hear the dead click
Of their keyboards
In the raucousness of the Soho night;
The minicabs, the limos, the rickshaws all screaming
Take me…take me…I’m free
And the hen nighters, the stag nighters,
The whatever-the-fuck nighters,
Lingering in pools of their own vomit
Waiting for the paramedics to call;
Shirts open to the navel, skirts slit
From here to eternity.
Late summer, later winter, who gives a shit?
The restaurants are all full
Though nobody is really eating
Just being there is what matters.
Smokers stop the traffic
Inspecting their mobiles
What would a Martian make of that?
No one sees anything any more
Except the lampposts they walk into;
There are no witnesses to crime;
How anybody falls in love anymore is a puzzle
Eyes no longer meet in lingering amazement
Unless they are reflected
In all those infernal hand-held screens.

for all my books see; http://www.amazon.co.uk/Tom-OBrien/e/B0034OIGOQ/ref=sr_tc_2_0?qid=1388083522&sr=1-2-ent

WORDS OF WISDOM

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“Authors’ complaints about publishers have been voiced on many different tunes, but their concert generally amounts to endless variations on the same theme: money. Either they moan piteously, like Henry James writing to his publisher: ‘The delicious ring of the sovereign is conspicuous in our intercourse by its absence.’ Or they thunder with foaming fury and throw colourful abuse like L.-F. Céline: ‘If you were not robbing me, you would not be conforming to my views of human nature.’ And, as his publisher had refused to increase an advance on royalties and advised ‘more patience,’ he retorted: ‘Patience is a virtue for donkeys and cuckolds! If only you could kindly wipe your arse with my contract and let me free to leave your filthy brothel!’ Yet screams merely betray powerlessness. Georges Simenon, wanting to rescind an agreement that had proved disadvantageous to him, resorted to different tactics: he achieved his aim by putting to good use his intuitive knowledge of the human heart. The novelist assessed how much it would be worth for him to redeem his original contract; then filled a briefcase with banknotes and won his negotiation simply by emptying the briefcase over the publisher’s desk”. Simon Leys

WORDS OF WISDOM
I am fed up picking my own brains
From now on I intend
To pick other peoples’
Writers, I mean
Well, the good ones anyway.
Write sober, edit drunk, said Hemingway
Or was it the other way round?
Only a blockhead writes for anything but money
That, I believe, was Samuel Johnson.
Hey Sam, in case you didn’t know
The world is overflowing with blockheads nowadays.
And then there was that other asshole in NY
Who said that the best way to get a good book published
Was to write one.
Oh yeah, shitface?
Well, swivel on this
<<<<<<<<<>>>>>>>>>
The only dead writer is a good one.

VARIATIONS ON A THEME

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VARIATIONS ON A THEME

Despite her aversion to anything red
Marnie still wore scarlet lipstick in bed
A warning to writers
That plot holes are dangerous.
Blog holes are dangerous too;
You can easily fall through
The gaps in the information highway.
But pot holes are the most dangerous
Of these blighters
and must be avoided at all cost
By day-dreaming writers.

DON’T MAKE YOUR HOUSE IN MY MIND

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DON’T MAKE YOUR HOUSE IN MY MIND

Oh yes, I saw what you wanted
From the very first day we met;
Your long legs wanton in the marram grass,
You promised sex without frills,
Your instincts more mothering than you know,
You delivered it without thrills

After the kids came it was respectability
And a job we could grow old in;
Our own home twenty years down the road
Everything borrowed along the way;
Freedom mortgaged for a safe house
Wasn’t such a big price to pay

All things come to pass in time;
The kids, the home, the income,
Shared lives going down the long slide
But their passing leaves a sour taste behind;
I should have made it clear from the start,
Don’t make your house in my mind

THIS BE THE CODE

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Who can figure this poem out? It has a simple premise. You want a clue? Dictionary.

THIS BE THE CODE

Office, Xerox: Ken,
Tamil? Quaker? Bombardier?
Radical feminism un-looked for;
Watch Nazi Party Manager!
Laminate salt-lick zeal
Incur haphazard eye-ball carpeting
Dump generous yarn

Joyful abundance

ODE TO A SHOPPING TROLLY

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ODE TO A SHOPPING TROLLEY

Oh beautiful chromed perambulator
You of the sleek wheels
And wayward inclinations
Carrier of booze and babies
And, occasionally, goods and chattels,
You were a lovely mover once

Look at you now;
Silt to your midriff
Capsized for eternity
Gathering flotsam and jetsam
For a stinking old stream;
Fit for nothing but stopping gaps

THE EMUS

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THE EMUS

Fuck you
Said the Emu
Though of course
I couldn’t be sure
It was an Emu at all,
Never having seen a live one before;
Well, not crossing the road
Ahead of me anyway;
Part of a group
That resembled a hen party;
(or should that be Emu party?)
A troop of tarty Emus with cropped hair,
Johnny Rotten afficonados,perhaps?
Teetering across the never-ending road
In the Australian outback;
Chaperoned by a wedge-tailed eagle…
Chaperoned?
Who looked just as likely
To sink its teeth
Into their browning flesh
As guide them safely to the other side.
Perhaps it was the eagle
Who said ‘fuck you’?
In the fading light
I couldn’t be certain
Of anything.

see all my books @ http://www.amazon.co.uk/Tom-OBrien/e/B0034OIGOQ/ref=sr_tc_2_0?qid=1388083522&sr=1-2-ent

In the Australian outback

I HAVE A GOOD BOOK IN ME

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I HAVE A GOOD BOOK IN ME

According to perceived wisdom
Everybody has a good book in them
I now have a good book in me
I ate one this morning
For breakfast
I am still digesting the contents

JUST WALKING

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JUST WALKING

Walking…just walking
Away from the hum and drum
Away from the hub and bub
Away from the whine and grind of this rusty city
Couldn’t take it, they will say
Well, let them
This place isn’t all it’s cracked up to be

I saw a man today selling boxes to homeless people
Business was brisk
Did you know that the stone from the Pyramids
Would build a wall round England ten feet tall?
They say John the Baptist was gay
Funny the thoughts that come into your head when you’re walking

There was an old woman who lived in a hovel
She didn’t have any shoes but no one cared
She fell down one day
The hospital put her in a trolley for a few weeks
Then sent her away
Back to her hovel, her piss-stained bed, her broken radio
Her clock that didn’t tick, her bare cupboards, her solitary chair
Carried her up three flights, stood her in front of a walking frame
Said ‘take care of yourself, dear’

The whole fucking world anaesthetised by indifference

see all my books @ http://www.amazon.co.uk/Tom-OBrien/e/B0034OIGOQ/ref=sr_tc_2_0?qid=1388083522&sr=1-2-ent

MY CAR NOW TALKS TO ME

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MY CAR NOW TALKS TO ME
Hello
Goodbye
Raising the lights like a stage curtain
Playing little movies
Serenading me with melodies
The welcome – farewell experience
They call it
“An emotionally resonant experience”
And that digital note of appreciation
“Thank you for driving a hybrid”
As if it was something…well
Unconnected with this thing on four wheels.
And those door handles
Illuminating when they sense my presence
The needles on the instruments
Snapping to attention as I open the door
There’s a welcoming theme
Part Hollywood soundtrack
Part plane swoosh
And that puddle lamp!
A welcome mat of light.
My car is a robot I think
With a personality not just in its body
But also in its behaviour.
“How can I help you?”
It asks now
As I prepare for take-off.
I really feel like telling it
To shut the fuck up
But I don’t want to hurt its feelings.