RYE HARBOUR IN SUMMER

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RYE HARBOUR SUMMER SOLILOQUY

Rye Harbour basks this sunny summer morning
The river Rother already all bled out
Following the departing tide far out to sea
Leaving assorted sea craft specked in the distance
And seagulls dancing on the just-bled riverbed
Digging for scallops and mussels
Then dropping them from high
Onto the concrete bunker and the asphalt walkway
To shatter and split
Before feasting on the fresh flesh thus exposed

On the horizon
Dungeness chimney stacks
Rise like piss-horns from the sand
And Camber Sands arcs wildly round the bay
Flat as the Gobi desert
On any given day
And lurking behind this bucolic scene
The wind farm at Romney Marsh can be seen
Turbines propellers lazily turning
Barely generating enough power
To make a pot of tea, or so it would seem

Overlooking it all is the town of Rye
Stately and high, with its ruined castle on the hill
Much loved by the king with eight wives
Though nearby Camber Castle, also in Henry’s demesne,
Still sits marooned between land and sea
Doomed for centuries a bridesmaid to remain

Nearby squats the Mary Stanford lifeboat station
A monument to that fateful date
When seventeen crewmen tracked across the saltmarsh flats
For one last time in nineteen-twenty-eight
Searching for a phantom ship
They found a cold and watery grave instead

Sandwort, Curlew, Couch Grass and Stork’s Bill
Cardoon, Sea Kale, Cormorant and Sea Purslane
Egret, Sea Pea, Lapwing and Marsh Frog
Compete for space in what some might see
As just another piece of swamp or bog
But neither bog nor swamp truly can describe this place
So full of the genomes of our diverse race
A million years will not have altered
Its make-up or genetic shades
Our DNA is mapped out here in spades.

CRICKLEWOOD COWBOYS

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CRICKLEWOOD COWBOYS

In Cricklewood we had the crack
We went to town and some came back
In Kilburn and Willesden too
We danced in The Banba and the Club 32
(A ramshackle house of bones
In Harlesden High Street
Where the girls danced round their crucifixes
Who knows whom they hoped to meet?)
If you owned a car and didn’t drink Guinness
You were good for a feel if nothing else
But if you wanted to get them into bed
You had to put a roof over their head
Oh, and two little words were important too
And they wanted to hear them loud and clear;
I DO!

TIGER BAY

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TIGER BAY

How long have they sat there,
Unnoticed?
Granite haunches
Tensed in the sand
Brunting the snarling sea
Washed over again and again
Licking endless salt wounds away.

From these high cliffs I see them clearly
Wild creatures
Waiting patiently for prey
Yesterday it was desolate;
Now there are tigers in the bay

WIDE, WIDE WOMEN

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WIDE, WIDE WOMEN

What is it with young women with buggies?
Both seem to get wider with each passing day
And use the pavement as a playground
Where their feckless children can play
Skateboards, scooters and other diverse playthings
Are added to the cigarettes – usually Kings,
That hang permanently from pinkified faces,
Beneath this rainbow gathering of hairpieces
Adorning those many empty spaces.
The pavement, somehow, seems smaller these days.

REALITY CHECK

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REALITY CHECK

Busy hips and pouting lips
Powder the streets of cruel illusion
Sideways smiles and dark alley wiles
Add spice to the confusion
Of the boy who thought sex in the park
Might be a bit of a lark
Until he got unpleasently surprised in the dark
‘Hey! My heels are longer than your dick,
So put it away you scurvy little prick’.

SAN QUENTIN

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SAN QUENTIN

Johnny Cash wore black because it was raining
Not to protect him from getting wet
But to show solidarity with the elements
Which to his mind had darkened perceptibly
Since he had begun to sing
San Quentin, he roared
I hate every inch of your name
And the prison bars responded
Reverberating down the endless corridors of shame

HE DREW FIRST

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HE DREW FIRST

He drew first
But I drew better
Then, he always did fire blanks
While I put my trust in French Letters
C’est la vie

INSPIRATION

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INSPIRATION

The midnight muse does not wait
For the lure of silver at someone’s gate
Nor the rattle of chains in rust-red splendour
As the moonlight beams on the night so tender.
The midnight muse has something strange to tell;
‘Silence is violence’
Say the damned in hell
To speak is to live not bound by chains
An ’empty silence’ is all that remains

all my books are available on http://www.amazon.co.uk/Tom-OBrien/e/B0034OIGOQ/ref=sr_tc_2_0?qid=1388083522&sr=1-2-ent

ARTIST

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ARTIST

I must paint or die
I wake early
I meditate
God gives me strength to lead this double life
Milk! Please, I need warm milk
I must paint at first light
When the colours are not too bright.
What is Buddha,I overhear in disbelief
Then three pounds of flax, please
Is the paintbrush really mightier than the sword?
Did Gallipoli fall just because of a word?
Give me your fucking Giro
Before I shoot you with my Biro

SMOKING WITH JOE

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SMOKING WITH JOE
Joe said it was rubbish
I agreed, but then he said –
No, I meant it was rubbishy.
What’s the difference?, I asked
But he didn’t reply.
I need a cigarette, he then said
Who is going to oblige?
They stunt your growth Joe,
I replied, measuring him casually
With my trained carpenter’s eye
Tall he was, a redwood among men
He could do with some stunting, I thought
Pulling a pack from my jacket pocket.
Here, take two, I said,
They’re very small
Do you know something? he said
When he had one going –
The other one stuck safely behind a rather large ear
If I had a pound for every fag I smoked
I’d be a very wealthy man.
OP’s you mean, I remarked.
OP’S, he looked insulted
I wouldn’t touch them with a barge pole!.