MY CAR NOW TALKS TO ME
Hello
Goodbye
Raising the lights like a stage curtain
Playing little movies
Serenading me with melodies
The welcome – farewell experience
They call it
“An emotionally resonant experience”
And that digital note of appreciation
“Thank you for driving a hybrid”
As if it was something…well
Unconnected with this thing on four wheels.
And those door handles
Illuminating when they sense my presence
The needles on the instruments
Snapping to attention as I open the door
There’s a welcoming theme
Part Hollywood soundtrack
Part plane swoosh
And that puddle lamp!
A welcome mat of light.
My car is a robot I think
With a personality not just in its body
But also in its behaviour.
“How can I help you?”
It asks now
As I prepare for take-off.
I really feel like telling it
To shut the fuck up
But I don’t want to hurt its feelings.
literary
MORE HEMINGWAY
excerpt from Lorian Hemingway’s memoir on her grandfather Ernest;
I had visited my grandfather’s grave in Ketchum the summer I had caught the marlin, arriving at the small hillside cemetery on a scalding July day, a half-finished fifth of vodka in one hand, a filter-tip cigar in the other. I’d made my way to the simple marble slab marked by a white cross, and stood swaying over the marker for a long time, expecting epiphany, resolution, a crashing, blinding flash of insight…. I wanted to say something of value to the old man, perhaps that I had met a dare he had set forth by example, but nothing came. The neck of the bottle grew hot in my hand. I tipped it to my mouth, taking a long swig, then poured the rest, a stream of booze, clear as Caribbean waters, at the head of the marker. “Here,” I said, “have this,” and walked away.
ERNEST HEMINGWAY (who loved horse racing); “I never back any animal that can talk – except myself”
PAPA
The time is near
The clock is queer
I have had more than one beer.
Papa crept downstairs
In the early morning.
The keys are close to the time.
They open the locked cabinet beneath it.
The shotgun is quickly loaded
Two in the chambers just in case
Then the gun is heeled to the wall
And his forehead firmly anchors it.
Hands reach down –
And Bang!
Papa is no more.
IRON AGE
IRON AGE
Phoenix rises
Cobbled together
By a compendium of pyrites
Forged to link all destinies
Shaped to gird our worlds
And outreach Babylonia
Igneous intrusion
Metamorphic rock
Freed from your sedimentary bed
White heat in the crucible
Running now
Red ingots of desire
Ladled to all requirements
Manacled by steel
This shining age
Rusts towards a new millennium
ANTIGONISH
ANTIGONISH
Yesterday, upon the stair,
I met a man who wasn’t there.
He wasn’t there again today,
I wish, I wish he’d go away…
When I came home last night at three,
The man was waiting there for me
But when I looked around the hall,
I couldn’t see him there at all!
Go away, go away, don’t you come back any more!
Go away, go away, and please don’t slam the door…
Last night I saw upon the stair,
A little man who wasn’t there,
He wasn’t there again today
Oh, how I wish he’d go away…
“Antigonish” is an 1899 poem by American educator and poet Hughes Mearns. It is also known as “The Little Man Who Wasn’t There”, and was a hit song under that title. Inspired by reports of a ghost of a man roaming the stairs of a haunted house in Antigonish, Nova Scotia, Canada, the poem was originally part of a play called The Psyco-ed which Mearns had written for an English class at Harvard University about 1899. In 1910, Mearns put on the play with the Plays and Players, an amateur theatrical group and, on 27 March 1922, newspaper columnist FPA printed the poem in “The Conning Tower”, his column in the New York World.
A very simple poem, yet a very effective one, and a clear example of how ‘plain is sometimes better’.
Text[edit]
SILENCE AT THE BAR
SILENCE AT THE BAR
The old man grimaced and silently imbibed his pint
His withered wife glared her whole life at him
And pointedly moved to a seat
At the far end of the joint
Two sons, forty and finicky,
Silently contemplated the following day’s races
While the daughter and son-in-law,
Long run out of things to say,
Blew smoke in each other’s faces.
Only the children were living;
The girl was chandelier-swinging
And the boy was table-top walking.
“Shhh!” said the mother,
“be quiet you two rascals,
We can’t seem to hear ourselves talking”
from my collection of poetry – ’67’, now available @ http://www.amazon.co.uk/67-Poetry-Tom-OBriem-Book-ebook/dp/B00JVBLM9C/ref=la_B0034OIGOQ_1_8?s=books&ie=UTF8&qid=1412338420&sr=1-8
and http://www.tinhuttalespublishers.co.uk/product/67-2/
ENTRANCE B
ENTRANCE B
Why are they so nice to us
Those denizens of the DHSS?
Oops! – wrong image,
It’s now the Employment Service…more or less
Raymond sported a badge which identified him
As ‘a member of the clerical support team’
I wanted to ask him what position,
But he was already away
With his ‘back-to-work’ scheme
I had to have a plan you see
That got me ‘gainful’ again;
What occupations could I list?
How much, where, when?
Well, let me see now;
I was a brain surgeon till times got tough
Then I tried circus strongman
Till my back cried enough;
Later, it was alligator-taming
Till I lost my bottle
Now I fancy Formula One driving
At full throttle
Raymond scribbled; the audience had ended
‘No inclination – benefit suspended’
What has happened to the barricades;
The litter-strewn floors,
The ‘them-and-us’ confrontations,
The glass partitions, the bolted-down chairs?
Open-plan dole-queues and carpeted floors?
I think I will get myself a job
There’s no soul in this place anymore.
GONZO MOMMA
GONZO MOMMA
Too weird to live, too rare to die
I guess that’s a creed
Old Hunter would swear by
Though he would have a drink first
Or maybe three
Then try to figure out where
The action might be
Before smoking some ‘stuff’
‘Cos he knew plain whiskey and gin
Would never be enough.
Then, perhaps like you, he would
Upheave everything and pack
Screaming all the while;
You can kiss my ass
I ain’t never coming back
I AM RED
THE UNIVERSE AS A HOLOGRAM
THE UNIVERSE AS A HOLOGRAM
I was happy as I am
Living in a hologram
Please don’t add to my confusion
Is my 3D space just an illusion?
Am I in mired in someone else’s dreams?
Well, fuck you buddy
Life just ain’t what it seems.
see my books @ http://www.amazon.co.uk/Tom-OBrien/e/B0034OIGOQ/ref=sr_tc_2_0?qid=1388083522&sr=1-2-ent
THE WALL
I find the further back I go, the better I remember things, whether they happened or not.
Mark Twain
THE WALL
I stopped by our wall again today
Staring
Just staring
I saw an image of you
Fleeting
As you hurried by
It was like somebody
Had stood on my grave
You in all your finery
Mirrored on a blank wall
Blank
Just like your face.
















