MEMO TO MOURINHO
The ref is only human
Yet he doesn’t miss a lot
So if you want a perfect ‘being’
Get yourself a bloody robot!
Standing here in the same spot
Every day
Makes me think of you
This figure-of-eight feeling
I sometimes get
Is not something new
Your smile, your being,
Your overall everywhere-ness
Mingled with your general couldn’t-care-less-ness
Make me think that perhaps I’m wrong
It is an abstract thing
Like a solar analemma
It has no physical existence
Except in images long-gone.
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VACUOUS MICHAEL
He sits in the town square, facing the sun
So that he can get his browning done
Then he turns the other cheek
Though he sometimes has to pop for a leak
His gaze often seems fixed on the horizon
But with Michael there’s no flies on
Because behind his fashionable dark glasses
He is surveying all the passing feminine asses.
Christmas by John Betjeman
The bells of waiting Advent ring,
The Tortoise stove is lit again
And lamp-oil light across the night
Has caught the streaks of winter rain
In many a stained-glass window sheen
From Crimson Lake to Hookers Green.
The holly in the windy hedge
And round the Manor House the yew
Will soon be stripped to deck the ledge,
The altar, font and arch and pew,
So that the villagers can say
‘The church looks nice’ on Christmas Day.
Provincial Public Houses blaze,
Corporation tramcars clang,
On lighted tenements I gaze,
Where paper decorations hang,
And bunting in the red Town Hall
Says ‘Merry Christmas to you all’.
And London shops on Christmas Eve
Are strung with silver bells and flowers
As hurrying clerks the City leave
To pigeon-haunted classic towers,
And marbled clouds go scudding by
The many-steepled London sky.
And girls in slacks remember Dad,
And oafish louts remember Mum,
And sleepless children’s hearts are glad.
And Christmas-morning bells say ‘Come!’
Even to shining ones who dwell
Safe in the Dorchester Hotel.
And is it true,
This most tremendous tale of all,
Seen in a stained-glass window’s hue,
A Baby in an ox’s stall ?
The Maker of the stars and sea
Become a Child on earth for me ?
And is it true ? For if it is,
No loving fingers tying strings
Around those tissued fripperies,
The sweet and silly Christmas things,
Bath salts and inexpensive scent
And hideous tie so kindly meant,
No love that in a family dwells,
No carolling in frosty air,
Nor all the steeple-shaking bells
Can with this single Truth compare –
That God was man in Palestine
And lives today in Bread and Wine.
GOLEM HEIGHTS
Ah Golem, they call you Yossele
They say you can make yourself invisible
And raise spirits from the dead
Then you rest on the Sabbath
On your dark and bloody bed
Ah Golem, kneaded into your shapeless husk
Created by the sages
Return to your dust.
Ah Golem, man of clay
You bowed before us once
Give us our bread today.
NOISE
Decibelisation was old
When Dresden’s china charred the ashes
When the war to end all wars
Turned Flanders fields to mushy poppies
When Cromwell’s convoys rattled on
The cobbled streets of old Kilkenny
And still,today, those echoes throb
When walking down a quiet lane, I hear
The rumbles of some distant noisy mob.
amazing poem!
A code called.
She races
as the seas part
for her crossing.
Reposed before her,
rhythm without pulse,
fluid without flow,
substance without life,
is you.
Invaded
as lines in your thigh
penetrate a pump paralyzed,
as the tube between ashen lips
thrusts into stagnant air.
Poison pushed into a heart
quivering, she watches as
your chest rises
with the force
of each counterfeit breath.
The symphony begins.
Thump
Shock delivered.
Strike through the breast.
Voltage down your limbs.
Buoyant, jerking,
Each retort
a life feigned by lightening.
Crunch
Bones crush.
The carol of your ribs,
a surrender to the fury
of each compression,
quickens with her pounding heart.
Each chord
a dissonant harmony.
Glazed are your eyes
as they pulsate
with the cadence of their dance.
She looks at you.
Pleads for you to return.
Prays to the god she plays.
But your eyes plead for something more.
You leave her.
The story ends.
And the orchestra leaves.