DEAD IN A WHEELBARROW

DEATH IN A WHEELBARROW

 (on reading of the corpse of a murdered youth being pushed through the streets of Leeds one night in a wheelbarrow)

 So this is life in our civilised society

First bludgeoned away

The trundled through un-inquisitive streets

In a squeaky wheelbarrow

Like manure for somebody’s allotment

 

Not that it mattered to him

Whether he was headed for the rubbish-tip

Or some knackers yard

On the other side of town

 

But you, good people of Leeds,

How can you live with your indifference?

You walk your dogs

Roll out of your pubs

Wait for your buses

Admire you plate-glass images

And piss in your alleyways

 

Not caring that a mile

Of your bumpy city-centre pavements

Wheel-barrowed your dead

 

 

 

 

 

 

 

NO BLACKS, NO DOGS, NO POLES.

A MUST-SEE NEW PLAY

WARNING – THIS PLAY IS NOT FOR THE COMPLACENT!

THIS PLAY MAY MAKE YOU THINK!

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The following is a synopsis of the play;

The dysfunctional Kennedy clan are having a re-union. There’s the father, Con, a successful building contractor in London who has had to relocate back in Ireland because of tax irregularities in the UK.  Con is secretly bisexual, although not-so-secret from his wife, Marion, who has known it all along and kept quiet about it. His estranged son, Michael, turns up after five years in Australia with Cathy, his new aborigine wife.  To say his parents are surprised would be putting it mildly. His nephew, Jimmy, also turns up and it is soon apparent that his racist, bigoted views haven’t mellowed any as he has got older. We learn that he is there at Con’s invitation; his real reason being to spy on Marion, who Con suspects of having an affair. Jimmy also has his own agenda, selling crack/cocaine to the local drug users – a plan which backfires when the drugs, which he has buried in the back garden, are discovered by Michael, heightening the already tense atmosphere in the house. Add in JJ, construction manager for Con, whose attraction to Marion must be obvious to everyone except Con.

IRON AGE

IRON AGE

Phoenix rises

Cobbled together

By a compendium of pyrites

 

Forged to link all destinies

Shaped to gird our worlds

And outreach Babylonia

 

Igneous intrusion

Metamorphic rock

Freed from your sedimentary bed

 

White heat in the crucible

Running now

Red ingots of desire

Ladled to all requirements

 

Manacled by steel

This shining age

Rusts towards a new millennium

 

THE WATERFORD COLLECTION – 3 plays

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to purchase or read extracts from any of my books click on my Amazon page; http://www.amazon.co.uk/Tom-OBrien/e/B0034OIGOQ/ref=sr_tc_2_0?qid=1388083522&sr=1-2-ent

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CIVIL SERVANTS SHOULD NOT LEAK

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CIVIL SERVANTS SHOULD NOT LEAK

 He said it, my God he said it!

Brazen-faced, to the watching nation

‘They should not leak’, he said

‘After all, they are servants of the Crown’.

 

Leaking in public?  How revolting!

And where would it begin?

A seepage from the ears perhaps?

Or a welling-up from beneath

 

All those virginal starched collars?

Or would it occur in the nether regions?

Visible only as a steady trickle

Down around the ankles.

 

A telephoned enquiry brought no joy;

‘I can assure you, Sir, we have

No leaking Civil Servants here

Why don’t you try MI 5’

 

 

HOLE IN THE GROUND

Don’t dig there, dig it elsewhere

You’re digging it round when it ought’a be square

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listen to the inimitable Bernard Cribbins sing it on here;  https://www.youtube.com/watch?v=ZGk4AKOwJbc

 

I was reminded of this song earlier today when I saw 5 workmen around a hole in the pavement. One man was actually digging the hole, the other 4 were standing about in various relaxed poses watching him do the work.  Maybe they were acting as a kind of barrier from the wind or something because nothing else made sense to me. I mean, you don’t need much instructions to dig a hole do you? You just get your shovel and dig. Or could they possibly be part of a relay team?; one man at  the time, dig furiously for 10 minutes,  then you hop out and the next in line hops in. Yeah, that could be it.

I don’t know what any of the above has to do with writing, but I do know that we writers often dig ourselves bloody great holes – and invariably have no idea how to get out of them again!

 

to purchase or read extracts from any of my books click on my Amazon page; http://www.amazon.co.uk/Tom-OBrien/e/B0034OIGOQ/ref=sr_tc_2_0?qid=1388083522&sr=1-2-ent

NAPOWRIMO

DAFFODILS

I saw Christ nailed to a tree

In an East London churchyard

Weather-beaten from looking,

While the adjacent graveyard

Played host to a thousand

Sloping stone soldiers.

 

There, daffodils bunched together

And it made me wonder

Why the graveyard should display

Such a profusion of yellow

When the churchyard itself

Was barren of colour

 

WRITERS BLOCK ME ARSE!

Ernest Hemingway got it about right;  There is nothing to writing, you just sit at your typewriter and bleed.

 

There are 10 types of writers block – I kid you not!

You can’t come up with an idea.

. You have a ton of ideas but can’t commit to any of them, and they all peter out.

You have an outline but you can’t get through this one part of it.

You’re stuck in the middle and have no idea what happens next.

You have a terrible feeling your story took a wrong turn a hundred pages back, and you only just hit a dead end.

You’re bored with all these characters, they won’t do anything.

AND SO IS THIS

You keep imagining all the reasons people are going to say your story sucks, and it paralyzes you.

 You can’t think of the right words for what you’re trying to convey in this one paragraph.

 You had this incredibly cool story in your head, and now you’re turning it into words on a screen and it’s suddenly dumb.

. You’re revising your work, and you can’t see your way past all those blocks of text you already wrote.

AND THIS E

Oh jaysus, if I didn’t have writers block before I’ve got it now

to purchase or read extracts from any of my books click on my Amazon page; http://www.amazon.co.uk/Tom-OBrien/e/B0034OIGOQ/ref=sr_tc_2_0?qid=1388083522&sr=1-2-ent

 

BUNKER ON PORTLAND BILL

 

BUNKER ON PORTLAND BILL

This windowed concrete slab

Touching the hedgerows

Bunkered in leaf-strewn soil

Chivvies me

 

Muskets were reddened here

By shorter men than I

Defenders of a long-gone realm

Stooped between fissured ceiling and creviced floor

 

What mayhem bedlamed this rocky causeway?

Its cannons foddering the deep

The stun of steel slamming granite

The stench of gunfire turning stomachs

Loose limbs cluttering pathways

Death hovering

 

All quiet now on this promontory;

Sheep nibbling, tea and scones in the old armoury

Picture postcards of battles fought and won

Day-trippers picnicking

In the shadows cast by the big guns

OLD MATTRESSES

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OLD MATTRESSES

They have raised a highway

Across our valley

And landscaped it

With blocks of windowed concrete.

Beneath, the river strangles itself

With shopping trolleys

And bits of old bicycles

 

Worn-out mattresses

And smashed-up pallets are everywhere

While a bloated condom

Flutters by on a piece of driftwood.

Painted hoarding-women

With rotating eyes

Compete for attention

With pram-pushing young love,

Their stilettos tap-dancing the hard shoulder

 

On a clear day

Juggernauts gleam in the sun

And rolled-up tabloids

Tell tall tales about Royalty

Or football….and Sex