THIS BE THE CODE

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Who can figure this poem out? It has a simple premise. You want a clue? Dictionary.

THIS BE THE CODE

Office, Xerox: Ken,
Tamil? Quaker? Bombardier?
Radical feminism un-looked for;
Watch Nazi Party Manager!
Laminate salt-lick zeal
Incur haphazard eye-ball carpeting
Dump generous yarn

Joyful abundance

ODE TO A SHOPPING TROLLY

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ODE TO A SHOPPING TROLLEY

Oh beautiful chromed perambulator
You of the sleek wheels
And wayward inclinations
Carrier of booze and babies
And, occasionally, goods and chattels,
You were a lovely mover once

Look at you now;
Silt to your midriff
Capsized for eternity
Gathering flotsam and jetsam
For a stinking old stream;
Fit for nothing but stopping gaps

THE EMUS

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THE EMUS

Fuck you
Said the Emu
Though of course
I couldn’t be sure
It was an Emu at all,
Never having seen a live one before;
Well, not crossing the road
Ahead of me anyway;
Part of a group
That resembled a hen party;
(or should that be Emu party?)
A troop of tarty Emus with cropped hair,
Johnny Rotten afficonados,perhaps?
Teetering across the never-ending road
In the Australian outback;
Chaperoned by a wedge-tailed eagle…
Chaperoned?
Who looked just as likely
To sink its teeth
Into their browning flesh
As guide them safely to the other side.
Perhaps it was the eagle
Who said ‘fuck you’?
In the fading light
I couldn’t be certain
Of anything.

see all my books @ http://www.amazon.co.uk/Tom-OBrien/e/B0034OIGOQ/ref=sr_tc_2_0?qid=1388083522&sr=1-2-ent

In the Australian outback

I HAVE A GOOD BOOK IN ME

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I HAVE A GOOD BOOK IN ME

According to perceived wisdom
Everybody has a good book in them
I now have a good book in me
I ate one this morning
For breakfast
I am still digesting the contents

JUST WALKING

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JUST WALKING

Walking…just walking
Away from the hum and drum
Away from the hub and bub
Away from the whine and grind of this rusty city
Couldn’t take it, they will say
Well, let them
This place isn’t all it’s cracked up to be

I saw a man today selling boxes to homeless people
Business was brisk
Did you know that the stone from the Pyramids
Would build a wall round England ten feet tall?
They say John the Baptist was gay
Funny the thoughts that come into your head when you’re walking

There was an old woman who lived in a hovel
She didn’t have any shoes but no one cared
She fell down one day
The hospital put her in a trolley for a few weeks
Then sent her away
Back to her hovel, her piss-stained bed, her broken radio
Her clock that didn’t tick, her bare cupboards, her solitary chair
Carried her up three flights, stood her in front of a walking frame
Said ‘take care of yourself, dear’

The whole fucking world anaesthetised by indifference

see all my books @ http://www.amazon.co.uk/Tom-OBrien/e/B0034OIGOQ/ref=sr_tc_2_0?qid=1388083522&sr=1-2-ent

MY CAR NOW TALKS TO ME

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MY CAR NOW TALKS TO ME
Hello
Goodbye
Raising the lights like a stage curtain
Playing little movies
Serenading me with melodies
The welcome – farewell experience
They call it
“An emotionally resonant experience”
And that digital note of appreciation
“Thank you for driving a hybrid”
As if it was something…well
Unconnected with this thing on four wheels.
And those door handles
Illuminating when they sense my presence
The needles on the instruments
Snapping to attention as I open the door
There’s a welcoming theme
Part Hollywood soundtrack
Part plane swoosh
And that puddle lamp!
A welcome mat of light.
My car is a robot I think
With a personality not just in its body
But also in its behaviour.
“How can I help you?”
It asks now
As I prepare for take-off.
I really feel like telling it
To shut the fuck up
But I don’t want to hurt its feelings.

MORE HEMINGWAY

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excerpt from Lorian Hemingway’s memoir on her grandfather Ernest;

I had visited my grandfather’s grave in Ketchum the summer I had caught the marlin, arriving at the small hillside cemetery on a scalding July day, a half-finished fifth of vodka in one hand, a filter-tip cigar in the other. I’d made my way to the simple marble slab marked by a white cross, and stood swaying over the marker for a long time, expecting epiphany, resolution, a crashing, blinding flash of insight…. I wanted to say something of value to the old man, perhaps that I had met a dare he had set forth by example, but nothing came. The neck of the bottle grew hot in my hand. I tipped it to my mouth, taking a long swig, then poured the rest, a stream of booze, clear as Caribbean waters, at the head of the marker. “Here,” I said, “have this,” and walked away.

ERNEST HEMINGWAY (who loved horse racing); “I never back any animal that can talk – except myself”

PAPA
The time is near
The clock is queer
I have had more than one beer.
Papa crept downstairs
In the early morning.
The keys are close to the time.
They open the locked cabinet beneath it.
The shotgun is quickly loaded
Two in the chambers just in case
Then the gun is heeled to the wall
And his forehead firmly anchors it.
Hands reach down –
And Bang!
Papa is no more.

IRON AGE

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IRON AGE

Phoenix rises
Cobbled together
By a compendium of pyrites

Forged to link all destinies
Shaped to gird our worlds
And outreach Babylonia

Igneous intrusion
Metamorphic rock
Freed from your sedimentary bed

White heat in the crucible
Running now
Red ingots of desire
Ladled to all requirements

Manacled by steel
This shining age
Rusts towards a new millennium

ANTIGONISH

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ANTIGONISH

Yesterday, upon the stair,
I met a man who wasn’t there.
He wasn’t there again today,
I wish, I wish he’d go away…

When I came home last night at three,
The man was waiting there for me
But when I looked around the hall,
I couldn’t see him there at all!
Go away, go away, don’t you come back any more!
Go away, go away, and please don’t slam the door…

Last night I saw upon the stair,
A little man who wasn’t there,
He wasn’t there again today
Oh, how I wish he’d go away…

“Antigonish” is an 1899 poem by American educator and poet Hughes Mearns. It is also known as “The Little Man Who Wasn’t There”, and was a hit song under that title. Inspired by reports of a ghost of a man roaming the stairs of a haunted house in Antigonish, Nova Scotia, Canada, the poem was originally part of a play called The Psyco-ed which Mearns had written for an English class at Harvard University about 1899. In 1910, Mearns put on the play with the Plays and Players, an amateur theatrical group and, on 27 March 1922, newspaper columnist FPA printed the poem in “The Conning Tower”, his column in the New York World.
A very simple poem, yet a very effective one, and a clear example of how ‘plain is sometimes better’.

Text[edit]

SILENCE AT THE BAR

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SILENCE AT THE BAR

The old man grimaced and silently imbibed his pint
His withered wife glared her whole life at him
And pointedly moved to a seat
At the far end of the joint

Two sons, forty and finicky,
Silently contemplated the following day’s races
While the daughter and son-in-law,
Long run out of things to say,
Blew smoke in each other’s faces.

Only the children were living;
The girl was chandelier-swinging
And the boy was table-top walking.
“Shhh!” said the mother,
“be quiet you two rascals,
We can’t seem to hear ourselves talking”

from my collection of poetry – ’67’, now available @ http://www.amazon.co.uk/67-Poetry-Tom-OBriem-Book-ebook/dp/B00JVBLM9C/ref=la_B0034OIGOQ_1_8?s=books&ie=UTF8&qid=1412338420&sr=1-8
and http://www.tinhuttalespublishers.co.uk/product/67-2/